OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Cruet stand (part of a set)” — 64 records examined, 21 dropped by the rights gate.
Archives queried 2026-09-03 04:11 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Cruet stand (part of a set)
Artist not stated in the record · 1725–40
Cruet Set
Artist not stated in the record · 1765
Panel with Byzantine Ivory Carving of the Crucifixion
Artist not stated in the record · 10th century (ivory); late 11th century (setting)
Cruet Stand
Artist not stated in the record · ca. 1870
Brahma
Artist not stated in the record · first quarter of the 10th century
cruet/stand
Artist not stated in the record · 19th century
Cruet stand
Lewis and Smith · ca. 1805–11
Cruet
Artist not stated in the record · ca. 1810
Cruet Stand
Myer Myers · 1765–76
Stand for Oil or Vinegar Cruets (Porte Huilier or Porte Vinaigrier)
Mennecy Porcelain Manufactory, French, active 1735 – 1773 · mid- 18th century
Standing Parvati
Artist not stated in the record · ca. first quarter 10th century
Cruet
Artist not stated in the record · ca. 1810
Vaikuntha Vishnu
Artist not stated in the record · last quarter of the 8th century
Huilier
Richard de Lalonde, French, active 1780–96 · 1775-1788
Miniature cruet stand
David Clayton · 1720–23
Huilier
Richard de Lalonde, French, active 1780–96 · 1775-1788
Settee (part of a set)
Nicolas-Quinibert Foliot · ca. 1754–56
Design for a Cruet Stand
Joseph Anton Seethaler II, German, 1799–1868 · ca. 1827–35
Standing shelf (one of a pair)
William Linnell · ca. 1753–54
Cruet Stand
Artist not stated in the record · ca. 1810
Handle Depicting a Lion Subduing a Nubian
Artist not stated in the record · ca. 1290–1224 BCE
Cruet Stand
Elkington & Co., British, 1861 – 1963 · ca. 1885
Teakettle and spirit lamp with stand
Paul de Lamerie · 1744/45
Project for a Cruet Frame
Artist not stated in the record · 1750–75
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 6378 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3858086 matched · 40 examined · 20 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 04:11 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.