Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Cup (with a view of the Odeonsplatz, Munich) and saucer” — 64 records examined, 16 dropped by the rights gate.
Archives queried 2026-08-31 21:44 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Cup (with a view of the Odeonsplatz, Munich) and saucer
Artist not stated in the record · ca. 1845

Cup with "Etruscan" Handles and Saucer (Gobelet à Anses Etrusques et Soucoupe)
Sèvres Porcelain Manufactory, French, established 1756 · 1795–1805

Saucer
Meissen Manufactory · 1724–25

Cup and Saucer with Putti Medallion
Gotha Porcelain Factory, German, established ca. 1757 · 1860–1885

Cup-Hilted Rapier
Carlo Piccinino · ca. 1650–75

Sample Sheet, Two Designs for Cups and Saucers
Artist not stated in the record · ca. 1825

Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Martin Carlin · ca. 1776

Sample Sheet, Two Designs for Cups and Saucers
Artist not stated in the record · ca. 1825

Coffeepot (part of a service)
Meissen Manufactory · 1723–26

Octagonal Cup and Saucer
Meissen Porcelain Manufactory, German, active from 1710 to the present · 1735–1745

Rapier
Artist not stated in the record · ca. 1600–1620

Cup and Saucer
Sèvres Porcelain Manufactory, French, established 1756 · 1787

The Adoration of the Magi
Giotto di Bondone · possibly ca. 1320

Cup and Saucer Commemorating the Battle of Waterloo
Royal Porcelain Manufactory, Berlin, German, established 1763 · early 19th century

Virgin and Child with a Donor Presented by Saint Jerome
Master of the Munich Marian Panels · ca. 1450

Saucer
Meissen Porcelain Manufactory, German, active from 1710 to the present · late 18th century

Cup and saucer with the Chinese story of Sima Guang
Artist not stated in the record · 1700–1730

Cup and Saucer
Meissen Porcelain Manufactory, German, active from 1710 to the present · 1840–1850

Perseus with the Head of Medusa
Antonio Canova · 1804–6

Cup
Meissen Porcelain Manufactory, German, active from 1710 to the present · early 19th century

Terracotta cup: cow's hoof
Brygos Painter · ca. 470–460 BCE
Rangoon Cup and Saucer
Francis J. Emery, active ca. 1878 – 1893 · ca. 1878–85

Sallet in the Shape of a Lion's Head
Artist not stated in the record · ca. 1475–80

Dodecagonal Cup with Applied Flowers and Saucer
Meissen Porcelain Manufactory, German, active from 1710 to the present · ca. 1850
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1011 matched · 24 examined · 7 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4135560 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 21:44 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.