OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 12 shown for “Cylinder seal and modern impression: seated figure holding the tail of a griffin” — 24 records examined, 0 dropped by the rights gate.
Archives queried 2026-08-27 21:39 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.Smithsonian Open Access: HTTP 429 from api.si.edu. Results from the remaining archive are shown unchanged — nothing is substituted for a source that did not answer.
Cylinder seal and modern impression: seated figure holding the tail of a griffin
Artist not stated in the record · ca. 14th century BCE
Cylinder seal with cultic scene
Artist not stated in the record · late 9th–early 8th century BCE
Proto-Cuneiform tablet with seal impressions: administrative account of barley distribution with cylinder seal impression of a male figure, hunting dogs, and boars
Artist not stated in the record · ca. 3100–2900 BCE
The Penitence of Saint Jerome
Joachim Patinir · ca. 1515
The Glorification of the Barbaro Family
Giovanni Battista Tiepolo · ca. 1750
Cylinder seal and modern impression: confronted upright lion and griffin before a seated figure
Artist not stated in the record · ca. 13th century BCE
Cylinder seal and modern impression: hunter holding a lion; griffin attacking a stag; Master of Animals; double-headed eagle
Artist not stated in the record · ca. 14th century BCE
Cylinder seal and modern impression: female figure seated on a platform with "pigtailed ladies" and pots
Artist not stated in the record · ca. 3300–2900 BCE
Cult vessel in the form of a tower with cylinder seal impressions near the top
Artist not stated in the record · ca. 19th century BCE
Cylinder seal and modern impression: man, goat, griffin, nude figure, and "impaled triangle"
Artist not stated in the record · ca. 14th–13th century BCE
Cylinder seal and modern impression: Master of Animals between lions, griffins, Minoan genius
Artist not stated in the record · ca. 14th century BCE
Cylinder seal and modern impression: hunter spearing a lion before deity with staff
Artist not stated in the record · ca. 17th century BCE (?)
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 152 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. HTTP 429 from api.si.edu. No records from this archive are shown for this query.Unavailable
These figures describe the pass run at 2026-08-27 21:39 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.