OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “D.W. Kellogg and Company” — 64 records examined, 13 dropped by the rights gate.
Archives queried 2026-09-01 11:30 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Great Indian Fruit Bat
Bhawani Das · ca. 1777–82
The Incredulity of St. Thomas by D.W. Kellogg and Company
D.W. Kellogg and Company · ca 1840
Smith and Wesson .32 Caliber Single-Action Revolver, serial no. 17156
Smith & Wesson · 1881–1902
Untitled (Portrait of a King) by D.W. Kellogg and Company
D.W. Kellogg and Company · ca 1840
Smith & Wesson .44 Double-Action Frontier Model Revolver decorated by Tiffany & Co. (serial no. 8401), with Case and Cleaning Rod
Smith & Wesson · ca. 1893
The Prodigal Son in Misery by D.W. Kellogg and Company
D.W. Kellogg and Company · ca 1838
Winchester Model 1886 Takedown Rifle decorated by Tiffany & Co. (serial no. 120528)
Winchester Repeating Arms Company · 1899–1900
The Prodigal Son Returned to His Father by D.W. Kellogg and Company
D.W. Kellogg and Company · ca 1838
Young Man and Woman in an Inn
Frans Hals · 1623
The Prodigal Son Revelling with Harlots by D.W. Kellogg and Company
D.W. Kellogg and Company · ca 1838
Vase
Mount Washington Glass Company · ca. 1886–94
The Prodigal Son Receiving His Patrimony by D.W. Kellogg and Company
D.W. Kellogg and Company · ca 1838
Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)
Auguste Renoir · 1878
Shakers, Their Mode of Worship by D.W. Kellogg and Company
D.W. Kellogg and Company · ca 1838
Composite Armor
Artist not stated in the record · ca. 1485 and later, composed in the early 20th century
The Two Dogs
D.W. Kellogg and Company · 1833-1842
Pair of tea caddies (part of a set)
Artist not stated in the record · ca. 1765–70
Flora
D.W. Kellogg and Company · 1833-1842
Sugar Box (part of a set)
Artist not stated in the record · ca. 1765–70
Napoleon
D.W. Kellogg and Company · n.d
Hot water jug
Artist not stated in the record · ca. 1760
Empress Josephine
D.W. Kellogg and Company · n.d.
Nécessaire
Artist not stated in the record · ca. 1765–70
Margaret
D.W. Kellogg and Company · 1833-1842
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 472 matched · 24 examined · 7 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1479464 matched · 40 examined · 6 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 11:30 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.