OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Daniel Marot, French, active in the Netherlands and England, 1661–1752” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-08-29 00:47 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Vase
Daniel Marot the Elder · ca. 1690
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
The Arms of William and Mary
Daniel Marot the Elder · 1694–1700
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
Harpsichord converted to a piano
Jean Goermans · 1754
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
Snuffbox
Daniel Govaers (or Gouers) · 1734–35
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
Mirror
Johannes Hannart (or Jan Hanat) · ca. 1685–1700
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
Upholstered armchair, originally from a set of eight, from Burley-on-the-Hill, Rutland (one of a pair)
Thomas Roberts · ca. 1689
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
Tile with a bust of William III (1650–1702)
Adrianus Kocx · ca. 1694
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
State bed from Hampton Court, Herefordshire
Artist not stated in the record · ca. 1698
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle · ca. 1324–28
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
The Harvesters
Pieter Bruegel the Elder · 1565
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)
Hans Memling · ca. 1470
Bound Print
Daniel Marot, French, active in the Netherlands and England, 1661–1752 · 1892
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 107 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 126 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 00:47 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.