OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Daniele da Volterra” — 64 records examined, 22 dropped by the rights gate.
Archives queried 2026-08-27 04:24 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Study for the Figure of Saint Peter
Daniele da Volterra (Daniele Ricciarelli) · ca. 1545
Descent from the Cross
Artist not stated in the record · ca. 1600-1650
The Descent from the Cross
Giovanni Battista Cavalieri · 1550–1600
Volterra
Elihu Vedder, born New York City 1836-died Rome, Italy 1923 · 1860
John the Baptist in the Wilderness
Giulio Sanuto · ca. 1545–55
Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to...
Felice Giani, Italian, 1758–1823 · 1803–09
Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra
Antonio Tempesta · Published early 17th century
Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV to...
Felice Giani, Italian, 1758–1823 · 1803–09
An Architectural Detail: A Herm Figure Placing or Removing a Column from Under an Entablature (after Stucco Frame by Daniele da Volterra from Orsini Chapel, Santa Trinità dei Monti)
Anonymous, Italian, 18th century · 18th century
Stachys sp.
Artist not stated in the record · May 1872
Michelangelo Buonarroti (1475–1564)
Daniele da Volterra · probably ca. 1545
Lithospermum sp.
Artist not stated in the record · May 1872
![The Farnese Table, by Jacopo [Giacomo] Barozzi da Vignola](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fes%2Fweb-large%2FDP-42913-001.jpg&w=3840&q=75)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola · ca. 1565–73
Cerastium sp.
Artist not stated in the record · May 1872
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci · 1480–85
Lonicera caprifolium L.
Artist not stated in the record · 17 Apr 1862
The Trinity
Bartolomeo di Giovanni
Valerianella sp.
Artist not stated in the record · May 1872
Allegorical Figure of Purity with a Unicorn and Two Putti (recto); Study of the Same Figures (verso)
Baldassarre Franceschini (il Volterrano) · 1642
Cerastium sp.
Artist not stated in the record · May 1872
Rapier
Daniele da Serravalle · dated 1560
Rosa sp.
Artist not stated in the record · May 1872
Bronze horse bit
Artist not stated in the record · ca. 725–700 BCE
Galium sp.
Artist not stated in the record · May 1872
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 166 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 81150 matched · 40 examined · 21 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 04:24 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.