OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Design for Two Trophies Referring to the Virgin” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-09-10 18:09 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Design for Two Trophies Referring to the Virgin
Artist not stated in the record · 1750–1780
The Assumption of the Virgin
Bernardo Daddi · 1337–38
Design for Two Trophies
Jean-Charles Delafosse, French, 1734 – 1789 · ca. 1750
Madonna and Child Enthroned with Two Angels
Fra Filippo Lippi · ca. 1440
Design for a Pair of Trophies
Jean-Charles Delafosse, French, 1734 – 1789 · 1770–80
The Annunciation
Hans Memling · 1480–89
Title Page, Part 9, from an Album of Drawings belonging to Don Gaspero Méndez de Haro y Guzman
Unknown · after 1682
The Coronation of the Virgin
Niccolò di Buonaccorso · ca. 1380
Two Designs for Trophies
Pietro Belli, Italian, 1780–1828 · early 19th century
Table clock with calendar
Lucien Falize · 1881
Designs for Two Vertical Panels
François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1738
Virgin and Child
Dieric Bouts · ca. 1455–60
Album of Designs for Pendant Trophies
René Charpentier, French, 1680 - 1723 · mid- 18th–late 18th century
Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1455
Design for a sedan chair
Artist not stated in the record · ca. 1775
Virgin and Child in Majesty
Artist not stated in the record · ca. 1175–1200
Two Designs for Trophies
Roubiliac, French, active 18th century · 18th century
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini) · 1467
Trophy Designs
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Virgin and Child
Bartolomé Estebán Murillo · 1670s
Design for a Sedan Chair
Artist not stated in the record · ca. 1775
The Adoration of the Shepherds
Andrea Mantegna · shortly after 1450
Two Designs for Trophies
Roubiliac, French, active 18th century · 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1806 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1826230 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-10 18:09 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.