Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Design for a Pendant” — 64 records examined, 2 dropped by the rights gate.
Archives queried 2026-09-02 22:42 UTC · served from cache, not re-queried for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Quilt, Album pattern
Brown and Turner families · begun 1846

Design for a Pendant
Artist not stated in the record · 1785–90

Pendant
Artist not stated in the record · early 600s

Design for a Pendant
Artist not stated in the record · late 18th century

Pendant
Artist not stated in the record · early 600s

Design for a Pendant
Artist not stated in the record · ca. 1810

The Sacrifice of Isaac
Reinhold Vasters · probably second half 19th century

Design for a Pendant
Artist not stated in the record · late 18th century

Pendant
Mixtec (Ñuu Savi) artist(s) · 1300–1521 CE

Design for a Pendant
Artist not stated in the record · late 18th century

Pendant
Central Region artist(s) · 300–700 CE

Design for a Pendant
Artist not stated in the record · late 18th century

Pendant
Maya artist(s) · 600–700 CE

Design for a Pendant
Artist not stated in the record · late 18th century

Design for a Pendant
Eugène-Samuel Grasset

Design for a Pendant Trophy
Jean-Baptiste Pillement, French, 1728–1808 · 1772–77

Side table (one of a pair)
Matthias Lock · ca. 1740

Design for a Pendant Trophy
Jean-Baptiste Pillement, French, 1728–1808 · 1772–77

Tapestry Room from Croome Court
Robert Adam · 1763–71

Design for a Pendant Trophy
Jean-Baptiste Pillement, French, 1728–1808 · 1772–77

Seasons and Elements (Summer) (set of four)
Charles Le Brun · ca. 1683

Design for a Pendant Trophy
Jean-Baptiste Pillement, French, 1728–1808 · 1772–77

Seasons and Elements (Fire) (set of four)
Charles Le Brun · ca. 1683

Design for a Pendant
Artist not stated in the record · 16th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 23436 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2095614 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 22:42 UTC, replayed here rather than repeated. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.