OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Design for a salon entrance wall” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-02 03:39 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Dining room from Lansdowne House
Robert Adam · 1766–69
Design for a salon entrance wall
Artist not stated in the record · 1825
Grand Salon from the Hôtel de Tessé, Paris
Nicolas Huyot · ca. 1768–72, with later additions
Design for the Elevation of the Entrance Wall of a Salon
Artist not stated in the record · ca. 1790
Chimneypiece (cheminée)
François Joseph Belanger · 1784
Entrance wall of a salon
Giuseppe Barberi, Italian, 1746–1809 · 1746–1809
Tomb Chapel of Raemkai: East Wall
Artist not stated in the record · ca. 2446–2389 BCE
Entrance wall of a salon
Giuseppe Barberi, Italian, 1746–1809 · 1746–1809
Tomb Chapel of Raemkai
Artist not stated in the record · ca. 2446–2389 BCE
Entrance wall of a salon
Giuseppe Barberi, Italian, 1746–1809 · 1746–1809
Bookstand
Charles-Auguste Questel · 1839
Entrance wall of a salon
Giuseppe Barberi, Italian, 1746–1809 · 1746–1809
Damascus Room
Artist not stated in the record · dated 1119 AH/1707 CE
Entrance wall of a salon
Giuseppe Barberi, Italian, 1746–1809 · 1746–1809
Tomb Chapel of Raemkai: South Wall
Artist not stated in the record · ca. 2446–2389 BCE
Entrance wall of a salon
Giuseppe Barberi, Italian, 1746–1809 · 1746–1809
Study for "A Sunday on La Grande Jatte"
Georges Seurat · 1884
Project for the entrance wall of a salon with alternative suggestions
Jean-Charles Delafosse, French, 1734 – 1789 · 1760–70
Armchair (fauteuil) from Louis XVI's Salon des Jeux at Saint Cloud
Georges Jacob · 1788
Design for Salon Entrance Wall
Giuseppe Barberi, Italian, 1746–1809 · 1746–1809
Relief from the North Wall of a Chapel of Ramesses I
Artist not stated in the record · ca. 1299–1290 BCE
Design for the Decoration of the Saloon, Royal Pavillion, Brighton
Frederick Crace, English, 1779–1859 · ca. 1815
Tomb chapel of Raemkai: North wall of the entrance corridor
Artist not stated in the record · ca. 2446–2389 BCE
Design for Four Walls of a Salon
Artist not stated in the record · ca. 1780–90
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 2233 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2113776 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 03:39 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.