OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Design for an Engraved Tazza with an Allegory of Charity” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-02 21:30 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Charity
Guido Reni · ca. 1630
Design for an Engraved Tazza with an Allegory of Charity
Artist not stated in the record · ca. 1588
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family
Master of the Dinteville Allegory · 1537
Design for an Engraved Tazza with a Portrait of the Duke of Alba as Commander of Folly
Artist not stated in the record · ca. 1578
Charity
Carlo Cignani · ca. 1680
Design for a Tazza with a Portrait of William of Orange as Commander of Wisdom
Artist not stated in the record · ca. 1588
Allegory of the Catholic Faith
Johannes Vermeer · ca. 1670–72
Design for an Engraved Tazza with the Head of a Jester and a Satyr, representing Pride and Folly
Artist not stated in the record · ca. 1588
Table clock with calendar
Lucien Falize · 1881
Design for a Knife Handle Showing Charity
Artist not stated in the record · 1600–1625
Charity
Cesare Dandini · ca. 1630
Design for a Cartouche Representing an Allegory of the Painter
Jacques de Lajoüe, French, 1687–1761 · 1740
Allegory of the Planets and Continents
Giovanni Battista Tiepolo · 1752
LA MUSIQUE.
Jacques de Lajoüe, French, 1687–1761 · 1737–1745
Pendant with Charity and Her Children
Artist not stated in the record · late 16th–early 17th century
L'HISTOIRE
Jacques de Lajoüe, French, 1687–1761 · 1737
Tazza cover
Artist not stated in the record · mid-16th century
LARCHITECTURE
Jacques de Lajoüe, French, 1687–1761 · 1738
Milk Pot
John C. Moore · 1850
LA SCULPTURE
Jacques de Lajoüe, French, 1687–1761 · 1737
Still Life with Oysters, a Silver Tazza, and Glassware
Willem Claesz Heda · 1635
LA PHARMACIE
Jacques de Lajoüe, French, 1687–1761 · 1738
Vitellius tazza
Artist not stated in the record · ca. 1587–99, foot added after mid-19th century
Designs for Silver Serving Pieces
Pietro Belli, Italian, 1780–1828 · early 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1747 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2939125 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 21:30 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.