OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Design for the Painted Decorations of Three Panels” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-09-03 17:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Drop-front secretary on stand (secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler · ca. 1790
Design for the Painted Decorations of Three Panels
Artist not stated in the record · 1580-1590
Drop-front secretary on stand (Secrètaire à abattant or secrétaire en cabinet) (one of a pair) (part of a set)
Adam Weisweiler · ca. 1790
Three Designs for Decorative Paneling
François Marie Isidore Queverdo, 1748 - 1797 · 1788
Pair of side chairs
Thomas How · ca. 1724–36
Design for Blue and Silver Wall Decoration for the Royal Pavilion, Brighton.
Frederick Crace, English, 1779–1859 · 1802 or earlier
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Design for an Interior Wall Elevation
Jacques-François Blondel, French, 1705–1774 · 1725–40
Booklet with Scenes of the Passion
Artist not stated in the record · ca. 1300 (carving); ca. 1310–20 (painting)
Sketches for the Painted Decoration of Ceilings
Felice Giani, Italian, 1758–1823 · ca. 1820
Two panels from the 'Verdures du Vatican' series
Jean Démosthène Dugourc · ca. 1799
Design for Painted Decoration of a Wall
Artist not stated in the record · 1820–40
Commode
Claude-Charles Saunier · ca. 1780–90
Three Paneling Designs
François Marie Isidore Queverdo, 1748 - 1797 · 1788
Armor of Henry II, King of France (reigned 1547–59)
Jean Cousin the Elder · ca. 1555
Design for the Decoration of Three Pilaster Strips
Giuseppe Barberi, Italian, 1746–1809 · 1789-1793
"Shah Jahan on a Terrace, Holding a Pendant Set With His Portrait", Folio from the Shah Jahan Album
Chitarman · recto: dated 1627–28; verso: ca. 1530–50
Design for Painted Decoration of a Wall
Artist not stated in the record · 1830–50
Eagle relief
Toltec artist(s) · 900–1200 CE
Design for the South Wall of the Music Room, Royal Pavilion, Brighton
Frederick Crace, English, 1779–1859 · 1817
Commode
Bernard II van Risenburgh · ca. 1740–45
Design for a Painted Wall Decoration
Unknown, Southern German or Austrian · 1840–60
Box For Crossbow Bolts (Bolzenkasten), Probably Made for William IV, Duke of Bavaria (r. 1508–50)
Hans Wagner the Elder · dated 1539
Decoration du Lambris vis-à-vis la Cheminée du Salon de Brunois
Jean Mansart de Jouy, French, 1705 - 1783 · 1750–75
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 5661 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3021286 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 17:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.