Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Diptych with Death and Coronation of the Virgin” — 64 records examined, 28 dropped by the rights gate.
Archives queried 2026-08-28 07:03 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Diptych with Death and Coronation of the Virgin
Artist not stated in the record · 14th century

Coronation of the Virgin
Master of the Die, Italian or German, 1530 - 1560 · 1530–1560

Diptych with the Death and Coronation of the Virgin
Artist not stated in the record · ca. 1330–50

Icon
Ethiopian Orthodox · ca. 1630-1700

The Death of the Virgin (The Dormition)
Tilman Heysacker · late 15th century

Icon
Ethiopian Orthodox · Mid- to late 15th century

Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1455
![Inscription [above left]; Woman of the Apocalyse [above right]; Coronation of the Virgin [below left]; Frontispiece [below right], by Jan van der Straet, called Stradanus, Flemish, 1523–1605](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-10710_3.jpg&w=3840&q=75)
Inscription [above left]; Woman of the Apocalyse [above right]; Coronation of the Virgin [below left]; Frontispiece [below right]
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · ca. 1580–1605

The Coronation of the Virgin
Niccolò di Buonaccorso · ca. 1380

The Coronation of the Virgin
Artist not stated in the record · ca. 1640

The Coronation of the Virgin
Annibale Carracci · after 1595

Recto: Coronation of the Virgin
Belisario Corenzio, Italian, active 1590–1646 · ca. 1630

Diptych with Scenes from the Lives of Jesus and Mary
Artist not stated in the record · ca. 1350

Scenes from the Life of the Virgin
Jan van der Straet, called Stradanus, Flemish, 1523–1605 · 1589 or before

Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection
Artist not stated in the record · 1300–1325

Icon
Ethiopian Orthodox · 15th-16th century

Diptych with the Coronation of the Virgin and the Crucifixion
Artist not stated in the record · ca. 1340–60

Death of St. Joseph, study for a ceiling painting
Francesco Solimena, Italian, 1657–1747 · ca. 1670–1747

The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38

Decoration of an Arched Portal
Carlo Marchionni, Italian, 1702–1786 · 1750–55

Diptych with the Coronation of the Virgin and the Last Judgment
Artist not stated in the record · ca. 1260–70

Title Page, Part 9, from an Album of Drawings belonging to Don Gaspero Méndez de Haro y Guzman
Unknown · after 1682

The Assumption of the Virgin
Bernardo Daddi · 1337–38

Death of the Virgin
Artist not stated in the record · ca. 1730
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 477 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3232992 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 07:03 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.