OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Diptych with Scenes from the Passion” — 64 records examined, 17 dropped by the rights gate.
Archives queried 2026-08-27 01:29 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Diptych with Scenes from the Passion
Artist not stated in the record · ca. 1350
The Flagellation, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Diptych with Scenes from the Passion of Jesus
Artist not stated in the record · ca. 1350
A scene from the Passion of Christ (Christ before Pilate)
Cesare Nebbia, Italian, ca. 1536 - 1614 · late 16th century
Diptych with Scenes from the Passion of Jesus
Artist not stated in the record · ca. 1350–75
Christ Crowned with Thorns, from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Diptych with Scenes from the Passion
Artist not stated in the record · 15th century
The Nativity (Adoration of the Shepherds) from The Little Passion Series
Artist not stated in the record · ca. 1509–1511
Diptych with Scenes from the Passion
Artist not stated in the record · 14th century
Icon
Ethiopian Orthodox · ca. 1630-1700
Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection
Artist not stated in the record · 1300–1325
Agony in the Garden, from The Engraved Passion
Albrecht Dürer, German, 1471–1528 · 1508
Booklet with Scenes of the Passion
Artist not stated in the record · ca. 1300 (carving); ca. 1310–20 (painting)
The Lamentation, from The Little Passion Series
Albrecht Dürer, German, 1471–1528 · 1509–11
Folding Devotional Shrine with Scenes from Christ's Passion
Artist not stated in the record · ca. 1350
Betrayal of Christ, from The Engraved Passion
Albrecht Dürer, German, 1471–1528 · 1508
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Icon
Ethiopian Orthodox · 15th-16th century
Plaque with the Descent from the Cross
Artist not stated in the record · ca. 1320–40
Sketches for a Passion
Francis Augustus Lathrop, American, 1849–1909 · ca. 1895
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen · ca. 1624–25
Portable Diptych Sundial Signed L.S.
L. S. · 1518
Leaf from a Diptych with Scenes from the Life of Christ
Artist not stated in the record · ca. 1340–60
Poor Cupid
Edmonia Lewis, born Greenbush (now Rensselaer), NY 1844-died London, England 1907 · modeled ca. 1872, carved 1876
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 7122 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1449805 matched · 40 examined · 15 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 01:29 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.