OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 20 shown for “Domenico Piola” — 48 records examined, 28 dropped by the rights gate.
Archives queried 2026-09-01 20:11 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Wooded Landscape with Two Figures
Domenico Piola · 1627–1703
Fountain Basin
Domenico Piola, Italian, 1627 - 1703 · 1650–75
Venus and Cupid in Vulcan's Forge
Domenico Piola · 1627–1703
Salome Receives the Head of St. John the Baptist
Domenico Piola, Italian, 1627 - 1703 · 1675–1700
Moses and the Chosen People Behold the Drowning of the Egyptian Army in the Red Sea
Domenico Piola · 1627–1703
Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy
Giacomo del Po, Italian, 1652 - 1726 · ca. 1712
Male Figure with a Bow and Arrow Shooting at a Statue of a Woman with a Ball on her Head
Domenico Piola · 1627–1703
![A fountain designed for a parade in Reggio, Italy: "Machina della Confraternità de' Crocesegnati presso S. Domenico" (The Apparatus of the Confraternity of the Sign of the Cross at the Church of St. Dominic). Plate 3 from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-E9567668BBE22-000001.jpg&w=3840&q=75)
A fountain designed for a parade in Reggio, Italy: "Machina della Confraternità de' Crocesegnati presso S. Domenico" (The Apparatus of the Confraternity of the Sign of the Cross at the Church of St. Dominic). Plate 3 from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.
Artist not stated in the record · 1619
Putti with the Attributes of the Arts
Domenico Piola · 1627–1703
Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples
Domenico Antonio Vaccaro, Italian, 1678–1745 · ca. 1737
Saint Jerome in the Wilderness
Domenico Piola · 1627–1703
Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of Glossatori
Felice Giani, Italian, 1758–1823 · 1811–14
The Catafalque of Philip IV of Spain
Domenico Piola · ca. 1665
Sketchbook Page, Folio 64: Study after Bolognese Architecture and Monuments, Including Arch of San Domenico; Verso: Geometric Studies
Felice Giani, Italian, 1758–1823 · 1811
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari · ca. 1670–90
St.George and the Dragon by Raphael; Biblical Scene; Disposition by Caravaggio; Ero e Leandro; Love by Lambert Sustris; Spinning Girl by Domenico Fetti; Verso: Apollo and Muse by Poussin; Cupid by Corregio; St. Peter and St. John by Poussin; Madonna....
Felice Giani, Italian, 1758–1823
Raccolta di teste
Giovanni Domenico Tiepolo, Italian, 1727 – 1804 · ca. 1757
Untitled
Domenico Viola, Italian, born Naples, Italy ca. 1610-1620-died Naples, Italy 1696
Nude
Domenico Corvi, Italian, 1721 - 1803 · ca. 1740
Saint Paulinus Preaching
Artist not stated in the record · 1750–1780
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 8 matched · 8 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.8 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 157 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 20:11 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.