OpenGlyph — Catalogue of the American Public DomainJurisdiction: United StatesRev. 2026.08
Images / art

Two archives, queried live.

Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 16 shown for “Domenico Poggini” — 44 records examined, 28 dropped by the rights gate.

Archives queried 2026-09-01 17:49 UTC · fetched live for this request

Object
Public domainThe Met’s isPublicDomain field is true for this object.
CC0 (public-domain equivalent)Smithsonian’s metadata_usage.access reads CC0 — a waiver, not an expired term.
Not shownAnything failing its archive’s rights field is dropped server-side and never appears here.
Bacchus, by Domenico Poggini

Bacchus

Domenico Poggini · 1554

Public domainThe Met
Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy, by Giacomo del Po, Italian, 1652 - 1726

Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy

Giacomo del Po, Italian, 1652 - 1726 · ca. 1712

CC0 (public-domain equivalent)Smithsonian
Nicolo Todini, by Domenico Poggini

Nicolo Todini

Domenico Poggini · 16th century

Public domainThe Met
A fountain designed for a parade in Reggio, Italy: "Machina della Confraternità de' Crocesegnati presso S. Domenico" (The Apparatus of the Confraternity of the Sign of the Cross at the Church of St. Dominic). Plate 3 from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.

A fountain designed for a parade in Reggio, Italy: "Machina della Confraternità de' Crocesegnati presso S. Domenico" (The Apparatus of the Confraternity of the Sign of the Cross at the Church of St. Dominic). Plate 3 from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.

Artist not stated in the record · 1619

CC0 (public-domain equivalent)Smithsonian
Cosimo I de' Medici 1519-74, Duke of Florence 1537-69, Grand Duke of Tuscany 1569-74, by Domenico Poggini

Cosimo I de' Medici 1519-74, Duke of Florence 1537-69, Grand Duke of Tuscany 1569-74

Domenico Poggini · 1567

Public domainThe Met
Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples, by Domenico Antonio Vaccaro, Italian, 1678–1745

Design for the Obelisk of St. Dominic, Piazza San Domenico Maggiore, Naples

Domenico Antonio Vaccaro, Italian, 1678–1745 · ca. 1737

CC0 (public-domain equivalent)Smithsonian
Cosimo I de'Medici (1519–1574), Duke of Florence, 1537; Grand Duke of Tuscany, 1569, by Domenico Poggini

Cosimo I de'Medici (1519–1574), Duke of Florence, 1537; Grand Duke of Tuscany, 1569

Domenico Poggini · 1561

Public domainThe Met
Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of Glossatori, by Felice Giani, Italian, 1758–1823

Piazza San Domenico in Bologna; Piazza San Francesco and Villa Aldini in Bologna; Study of Tomb of Glossatori

Felice Giani, Italian, 1758–1823 · 1811–14

CC0 (public-domain equivalent)Smithsonian
Sketchbook Page, Folio 64: Study after Bolognese Architecture and Monuments, Including Arch of San Domenico; Verso: Geometric Studies, by Felice Giani, Italian, 1758–1823

Sketchbook Page, Folio 64: Study after Bolognese Architecture and Monuments, Including Arch of San Domenico; Verso: Geometric Studies

Felice Giani, Italian, 1758–1823 · 1811

CC0 (public-domain equivalent)Smithsonian
St.George and the Dragon by Raphael; Biblical Scene; Disposition by Caravaggio; Ero e Leandro; Love by Lambert Sustris; Spinning Girl by Domenico Fetti; Verso: Apollo and Muse by Poussin; Cupid by Corregio; St. Peter and St. John by Poussin; Madonna...., by Felice Giani, Italian, 1758–1823

St.George and the Dragon by Raphael; Biblical Scene; Disposition by Caravaggio; Ero e Leandro; Love by Lambert Sustris; Spinning Girl by Domenico Fetti; Verso: Apollo and Muse by Poussin; Cupid by Corregio; St. Peter and St. John by Poussin; Madonna....

Felice Giani, Italian, 1758–1823

CC0 (public-domain equivalent)Smithsonian
Raccolta di teste, by Giovanni Domenico Tiepolo, Italian, 1727 – 1804

Raccolta di teste

Giovanni Domenico Tiepolo, Italian, 1727 – 1804 · ca. 1757

CC0 (public-domain equivalent)Smithsonian
Untitled, by Domenico Viola, Italian, born Naples, Italy ca. 1610-1620-died Naples, Italy 1696

Untitled

Domenico Viola, Italian, born Naples, Italy ca. 1610-1620-died Naples, Italy 1696

CC0 (public-domain equivalent)Smithsonian
Nude, by Domenico Corvi, Italian, 1721 - 1803

Nude

Domenico Corvi, Italian, 1721 - 1803 · ca. 1740

CC0 (public-domain equivalent)Smithsonian
Saint Paulinus Preaching

Saint Paulinus Preaching

Artist not stated in the record · 1750–1780

CC0 (public-domain equivalent)Smithsonian
Madonna and Child

Madonna and Child

Artist not stated in the record · 18th century

CC0 (public-domain equivalent)Smithsonian
Brutus

Brutus

Artist not stated in the record · 1768

CC0 (public-domain equivalent)Smithsonian
What was queried

Where these records came from.

Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.

  • The Met Collection API (Open Access)Rights field: isPublicDomain. 4 matched · 4 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.4 shown
  • Smithsonian Open Access API (api.si.edu)Rights field: content.descriptiveNonRepeating.metadata_usage.access. 157 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown

These figures describe the pass run at 2026-09-01 17:49 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.

Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.

An image file is a rights claim. It never travels without its field.