Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 11 shown for “Door board (jovo)” — 24 records examined, 13 dropped by the rights gate.
Archives queried 2026-08-26 23:24 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.Smithsonian Open Access: HTTP 429 from api.si.edu. Results from the remaining archive are shown unchanged — nothing is substituted for a source that did not answer.

Door board (jovo)
Artist not stated in the record · 19th century

Door board (jovo)
Artist not stated in the record · 19th century

Exterior Door from Dr. Stephen Thorn House, New Hackensack, New York
Artist not stated in the record · 1772

West wall of the chapel of Nikauhor and Sekhemhathor
Artist not stated in the record · ca. 2465–2389 BCE

Damascus Room
Artist not stated in the record · dated 1119 AH/1707 CE

Afternoon after Man Ray
Oronzo Gasparo · 1936

The Massacre of the Innocents
François Joseph Navez · 1824

"A man of strife in wrathful mood, he neared the nurse's door." Study for "Strife and Peace"
George John Pinwell · 1866
![Francesco I d'Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]", by Bartolomeo Fenice (Fénis)](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fdp%2Fweb-large%2FDP830748.jpg&w=3840&q=75)
Francesco I d'Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from "L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII [...]"
Bartolomeo Fenice (Fénis) · 1659

Annunciation Triptych (Merode Altarpiece)
Robert Campin · ca. 1427–32

Court dress
Artist not stated in the record · ca. 1750
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 60 matched · 24 examined · 13 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.11 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. HTTP 429 from api.si.edu. No records from this archive are shown for this query.Unavailable
These figures describe the pass run at 2026-08-26 23:24 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.