Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Double Spout and Bridge Bottle with Bird” — 64 records examined, 28 dropped by the rights gate.
Archives queried 2026-09-01 03:48 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Design for a Set of Silver Tableware
Pietro Belli, Italian, 1780–1828 · 1815–30

Double Spout and Bridge Bottle with Bird Head
Artist not stated in the record · 5th–2nd century BCE

Teapot with "Hausmaler" Decor
Meissen Porcelain Manufactory, German, active from 1710 to the present · 1725–1730

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Vessel
Christopher Dresser, Scottish, 1834–1904 · 1879–82

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Teapot
Nymphenburg Porcelain Factory, German, established by 1753 · 1765–1770

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Teapot with Allegorical Scenes of "Africa" and "America"
Höchst Ceramics Manufactory, German, 1746 - 1796 · ca. 1765

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Teapot (Théière)
Bourg-la-Reine Porcelain Factory, French, ca. 1773 – 1805 · ca. 1780

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–3rd century BCE

Coffeepot
Artist not stated in the record · 1750-1800

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Bottle
Artist not stated in the record · ca. 1810

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Bottle
Artist not stated in the record · ca. 1810

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Coffeepot
Artist not stated in the record · 1750–1799

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Designs for Two Ewers and a Swing-Handle Bowl
Luzio Romano, Italian, active 1528 – 1575 · mid- 16th century

Double Spout and Bridge Bottle with Bird
Artist not stated in the record · 5th–2nd century BCE

Design for Cartouche Forming a Bridge (Horizontal)
Jacques de Lajoüe, French, 1687–1761 · 1740
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 183 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2099166 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 03:48 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.