OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “E. Le Tellier, French, active late 19th century” — 64 records examined, 3 dropped by the rights gate.
Archives queried 2026-09-01 06:48 UTC · served from cache, not re-queried for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Jabach Family
Charles Le Brun · ca. 1660
Jack of Spades
E. Le Tellier, French, active late 19th century · late 19th century
Saint-Guilhem Cloister
Artist not stated in the record · late 12th–early 13th century
Jack of Diamonds
E. Le Tellier, French, active late 19th century · late 19th century
The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle · ca. 1324–28
Three of Diamonds
E. Le Tellier, French, active late 19th century · late 19th century
Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)
Auguste Renoir · 1878
Two of Spades
E. Le Tellier, French, active late 19th century · late 19th century
The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers · 1405–1408/1409
Ace of Hearts
E. Le Tellier, French, active late 19th century · late 19th century
A Book Peddler
Master of the Canesso Peddler · ca. 1670–90
Five of Diamonds
E. Le Tellier, French, active late 19th century · late 19th century
Saint Paul with a Donor; Christ Appearing to His Mother
Master of the Saint Ursula Legend · ca. 1485
Eight of Diamonds
E. Le Tellier, French, active late 19th century · late 19th century
Plaque with the Crucifixion
Master of the Orléans Triptych · 16th century
Five of Clubs
E. Le Tellier, French, active late 19th century · late 19th century
The Conquest of Naples by Charles of Durazzo
Master of Charles of Durazzo · 1381–82
Ace of Diamonds
E. Le Tellier, French, active late 19th century · late 19th century
Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini
Maestro delle Storie del Pane · 1494?
Four of Clubs
E. Le Tellier, French, active late 19th century · late 19th century
Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini
Maestro delle Storie del Pane · 1494(?)
Nine of Hearts
E. Le Tellier, French, active late 19th century · late 19th century
Boating
Edouard Manet · 1874
Jack of Hearts
E. Le Tellier, French, active late 19th century · late 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 501 matched · 24 examined · 3 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1267948 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 06:48 UTC, replayed here rather than repeated. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.