OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Early 18th-century style Ogee frame” — 64 records examined, 18 dropped by the rights gate.
Archives queried 2026-08-31 21:42 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Early 18th-century style Ogee frame
Artist not stated in the record · 1850–65
Border
Artist not stated in the record · early 18th century
Late 17th-century style Ogee frame
Artist not stated in the record · 1870–80
Frame
Artist not stated in the record · ca. 1850
Small settee (Marquise) (part of a set)
Georges Jacob · frame early 20th century, style of 18th century; upholstery fabric ca. 1785
Textile
Artist not stated in the record · 19th century
Cardinal Fernando Niño de Guevara (1541–1609)
El Greco (Domenikos Theotokopoulos) · ca. 1600
Border
Artist not stated in the record · early 18th century
The Supper at Emmaus
Velázquez (Diego Rodríguez de Silva y Velázquez) · 1622–23
Border
Artist not stated in the record · early 18th century
Ogee ripple frame
Artist not stated in the record · early 20th century, style ca. 1700
Handscreen
Artist not stated in the record · late 18th–early 19th century
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters · second half 16th century (panels); ca. 1865–90 (frame)
Handscreen
Artist not stated in the record · early 19th century
The Temptation
Pietro Longhi (Pietro Falca) · 1746
Album of Designs for Furniture (Beds, Chairs, Sofas, Stools) and Waistcoats
Pierre Ranson, French, 1736–1786 · late 18th century
Virgin and Child with Saint Anne
Albrecht Dürer · probably 1519
Fragment
Artist not stated in the record · early 19th century
The Abduction of the Sabine Women
Nicolas Poussin · probably 1633–34
Fragment
Artist not stated in the record · early 18th century
The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto) · 1648
SAL, SEDLIZ
Artist not stated in the record · 18th century
Restello
Artist not stated in the record · early 16th century
Cap crown
Artist not stated in the record · early 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 660 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 565 matched · 40 examined · 18 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 21:42 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.