OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 19 shown for “Element inscribed with Aten epithets” — 47 records examined, 20 dropped by the rights gate.
Archives queried 2026-08-29 01:40 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Element inscribed with Aten epithets
Artist not stated in the record · ca. 1347–1330 BCE
Album of Trophies Representing the Four Elements
Maurice Jacques, French, ca. 1712–1784 · 1758–64
Element with name and epithets of the Aten
Artist not stated in the record · ca. 1347–1330 BCE
Textile
Artist not stated in the record · ca. 1785
Element with cartouche ending and following epithets
Artist not stated in the record · ca. 1347–1330 BCE
Hampton Aten & Co. Commission Merchants
unknown · 1859 or before
Inscribed Element, possibly back pillar with Aten cartouche
Artist not stated in the record · ca. 1347–1330 BCE
Textile
Artist not stated in the record · ca. 1785
Palm Column of Sahure
Artist not stated in the record · ca. 2458–2446 BCE
Bootsy Collins Space Bass guitar owned by Bootsy Collins
Artist not stated in the record · July 2002
Brazier of Rasulid Sultan al-Malik al-Muzaffar Shams al-Din Yusuf ibn 'Umar
Artist not stated in the record · second half 13th century
"Blackpool"
Artist not stated in the record · 1900–10
Don Andrés de Andrade y la Cal
Bartolomé Estebán Murillo · ca. 1665–72
Multiplex
Hammond · 1919
Oval Ceiling with Three Graces, Design for Sala di Enea, Palazzo Marescalchi, Bologna
Felice Giani, Italian, 1758–1823 · 1810
Advertisement for "Atlas Ready Mixed Paint"
Whitehead & Hoag Company · 1900–10
Savoyards
Artist not stated in the record · ca. 1840
Leucobryum giganteum Müll. Hal.
Artist not stated in the record · 6 Aug 1902
Sketchbook Page: Studies after Paintings in Ferrara, Rome, Bologna, Mantua after Artists Tibaldi, Raphael, Andrea del Sarto and Polidoro; Verso: Bird Skeleton and Horse's Head
Felice Giani, Italian, 1758–1823 · 1811–14
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 7 matched · 7 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.7 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 254007 matched · 40 examined · 20 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 01:40 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.