OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Element with names of Nefertiti and Ankhesenpaaten” — 64 records examined, 14 dropped by the rights gate.
Archives queried 2026-08-28 23:29 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Element with names of Nefertiti and Ankhesenpaaten
Artist not stated in the record · ca. 1347–1330 BCE
chatelaine
G. Parvis · late 19th century
Goblet Inscribed with the Names of King Amenhotep IV and Queen Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Medallion Decoration
George W. Shiebler & Co., American, 1876 - 1910 · 1885–95
Element with name of Nefertiti and a princess
Artist not stated in the record · ca. 1347–1330 BCE
Tassel
Artist not stated in the record · 17th century
Two-sided curved element with names of Akhenaten and Nefertiti on both sides
Artist not stated in the record · ca. 1347–1330 BCE
Designs of Architectural Elements
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Element with the cartouche of Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Rocaille Setting in Landscape with Classical and Chinoiserie Elements
Alexis Peyrotte, French, 1699–1769 · ca. 1740
Wall clock (cartel)
Etienne LeNoir · ca. 1735–40
Plate 1, The Lady's Magazine, Second Series, Vol. 3
Artist not stated in the record · January 1822
Inscribed and decorated fragments of a connective element, Nefertiti names
Artist not stated in the record · ca. 1347–1330 BCE
Cartouche Decorated with Elements of Fire
Jacques de Lajoüe, French, 1687–1761 · 1740
Part of a small block with name of Nefertiti and another on adjacent sides
Artist not stated in the record · ca. 1347–1330 BCE
Album of Trophies Representing the Four Elements
Maurice Jacques, French, ca. 1712–1784 · 1758–64
Element with names of Akhenaten and Meketaten
Artist not stated in the record · ca. 1347–1330 BCE
No. 8
Gebrüder Thonet, Austrian, founded 1853 · mid-19th century
Element with the names of Akhenaten and Meketaten
Artist not stated in the record · ca. 1347–1330 BCE
Bootsy Collins Space Bass guitar owned by Bootsy Collins
Artist not stated in the record · July 2002
Part of a small block with names of the Aten preserved on opposite sides and names of Akhenaten and Nefertiti on one preserved end
Artist not stated in the record · ca. 1347–1330 BCE
Architectural Interior Elements; Verso: Anatomical Studies
Felice Giani, Italian, 1758–1823 · 1814–18
Perseus with the Head of Medusa
Antonio Canova · 1804–6
Panel
Artist not stated in the record · late 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 816 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7474373 matched · 40 examined · 14 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 23:29 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.