OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Elevation of a Sepulcher Monument” — 64 records examined, 3 dropped by the rights gate.
Archives queried 2026-09-05 01:08 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Portal from the Church of San Leonardo al Frigido
Biduinus · ca. 1175
Elevation of a Sepulcher Monument
Francesco Massimiliano Laboureur, Italian, 1767 - 1831 · 1800–1830
The Crucifixion; The Last Judgment
Jan van Eyck · ca. 1436–38
Elevation of a Sepulcher Monument
Artist not stated in the record · 1700–1750
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David · ca. 1510
Elevation of a Sepulcher Monument
Artist not stated in the record · ca. 1790
Archangel Gabriel; The Virgin Annunciate
Gerard David · ca. 1510
Elevation of a Sepulcher Monument for an Artist
Artist not stated in the record · early 19th century
The Abduction of Rebecca
Eugène Delacroix · 1846
Elevation of a Sepulcher Monument
Matteo Torelli, Italian · 1822
Jacob Willemsz van Veen (1456–1535), the Artist's Father
Maarten van Heemskerck · 1532
Design of a Sepulcher Monument for a Prelate
Artist not stated in the record · 1780–1800
The Adoration of the Magi
Joos van Wassenhove · 1472–74
Project for a Sepulcher Monument
Artist not stated in the record · 1625–1650
The Forest in Winter at Sunset
Théodore Rousseau · ca. 1846–67
Project for a Sepulcher Monument
Artist not stated in the record · 1820–1830
The Adoration of the Magi
Bartolo di Fredi · ca. 1390
Design of a Sepulcher Monument for a Prelate
Artist not stated in the record · 1790–1800
The Annunciation
Gerard David · 1506
Design for a Sepulcher Monument for a Couple
Artist not stated in the record · ca. 1810
Sculpture of a Wise Man (from a Group with the Adoration of the Magi)
Artist not stated in the record · ca. 1175–1200
Design for a Stage: A Cemetery
Pasquale Canna, Italian, active 18th century · late 18th century
Joseph (from a group with the Adoration of the Magi)
Artist not stated in the record · ca. 1175–1200
Vase After the Antique
Aubert Henri Joseph A. Parent, French, 1753–1835 · 1789-1792
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 117 matched · 24 examined · 2 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4552879 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 01:08 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.