OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “End Panel of a Sash” — 64 records examined, 22 dropped by the rights gate.
Archives queried 2026-09-06 05:23 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Panel
Artist not stated in the record · second half 8th century
Sash
Artist not stated in the record · 19th century
Sash
Artist not stated in the record · 17th century
Gold sequined dress with matching hat and purse
Unidentified · 1980s
End Panel of a Sash
Artist not stated in the record · late 17th–early 18th century
Blue and white check pattern pajama set
Unidentified · 1950s
Virgin and Child with a Donor Presented by Saint Jerome
Master of the Munich Marian Panels · ca. 1450
Orange floral print sash
Unidentified · 1965 - 1975
Coffin of Khnumnakht
Artist not stated in the record · ca. 1850–1750 B.C.
Sash ends
Artist not stated in the record · late 19th century
Cassone with painted front panel depicting the Conquest of Trebizond
Apollonio di Giovanni di Tomaso · after ca. 1461
Purple and blue floral print dress with purple belt
Unidentified · 1950s
Sash
Leo Madjarski · 1767–80
Sash
Lydia Bush-Brown, American, 1887–1984 · 1905–19
Dismantled Coffin of Khety
Artist not stated in the record · ca. 1919–1800 B.C.
Sash
Artist not stated in the record · late 19th century
Holy Family with an Angel
Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) · ca. 1490
Photographic postcard of Magdalene Hendricks and sister in Eastern Star regalia
Artist not stated in the record · early 1920s
Sash
Artist not stated in the record · 10th–15th century
Sash
Artist not stated in the record · 19th century
Sash
Artist not stated in the record · ca. 1628–58
Sash
Artist not stated in the record · 19th century
Mummy with an Inserted Panel Portrait of a Youth
Artist not stated in the record · 80–100 CE
Sash
Artist not stated in the record · 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1062 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3859828 matched · 40 examined · 22 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-06 05:23 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.