Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Entree du Port de Honfleur (Entrance to the Port of Honfleur)” — 56 records examined, 16 dropped by the rights gate.
Archives queried 2026-09-01 16:58 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Honfleur
Johan Barthold Jongkind · 1865

Entree du Port de Honfleur (Entrance to the Port of Honfleur)
Artist not stated in the record · 1863
![[Entrance to the Port of Boulogne], by Edouard Baldus](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDT1165.jpg&w=3840&q=75)
[Entrance to the Port of Boulogne]
Edouard Baldus · 1855

Vuë de l'entrée du Port de l'Orient (View of Entrance to Oriental Port)
Chez Basset, French

The Jabach Family
Charles Le Brun · ca. 1660

REPRÉSENTATION D’UNE PLACE DE STRASBOURG VUË DU CÔTÉ DE LA PORTE DE SAVERNE. Le Roi LOUIS XV. traversa cette Place le jour de son entrée
Johann Martin Weis, French, 1711 - 1751 · 1745

Porte de la Reine at Aigues-Mortes
Jean-Frédéric Bazille · 1867

FAÇADE DES AUTELS ET PRINCIPALE ENTRÉE DU CHOEUR DE L'EGLISE CATHÉDRALE DE MEAUX
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761

Steamboats in the Port of Rouen
Camille Pissarro · 1896

Elevaon du dedans de la Cour ou sont les remises des Carosses de l’Hostel du Comand. du Gert. proche la porte de Richelieu (Upper Plate) / Elevation de l’entrée de l’Hostel du Comandeur du Gert A Paris proche la porte de Richelieu (Lower Plate)
Jean Marot, French, 1619 - 1679 · ca.1635–ca.1660

Mezzetin
Antoine Watteau · ca. 1718–20

Elevation du Chasteau de Fayelle du costé de la cour / Entrée du Chasteau de Fayelle appartenant à Monsieur le Mareschal de la Motte Haudancourt / Face du Chasteau de Fayelle du costé du Jardin
Jean Marot, French, 1619 - 1679 · ca.1635–ca.1660

View opposite the entrance gate of all of the shops to the right and left of the street of the City of Pompeii, from "Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce..." (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 13
Francesco Piranesi · 1804

Coupe du grand Escalier de l’Hôtel de Toulouse à Paris prise sur sa largeur et qui laisse voir l’entrée du Vestibule au rez de chaussée, et la Porte d’entrée du grand Appartement au premier étage
Jean Mariette, French, 1660–1742 · 1713–42

The Meeting of Antony and Cleopatra
Giovanni Battista Tiepolo · ca. 1745–47

L’Entrée de la Vigne du Prince Pamphile hors la porte de St. Pancrace a Rome
Nicolas Langlois, French, 1640 - 1703 · late 17th century

Sketchbook of a Journey to the Château d'Eu
Pierre François Léonard Fontaine · 1811
Hibiscus trionum L.
Artist not stated in the record · Oct 1855

Cypresses
Vincent van Gogh · 1889

Entrées de Serrures à l’usage des Portes et des Meubles
Richard de Lalonde, French, active 1780–96 · 1775-1788

View of Messina Harbor
Louis François Cassas · 1783

Entrées de Serrures à l’usage des Portes et des Meubles
Richard de Lalonde, French, active 1780–96 · 1775-1788

Hexagonal Tile Ensemble with Sphinx
Artist not stated in the record · ca. 1160s–70s

Woman on the Quay, Honfleur
John Henry Twachtman, born Cincinnati, OH 1853-died Gloucester, MA 1902 · ca. 1883-1884, published 1921
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 16 matched · 16 examined · 4 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3738450 matched · 40 examined · 12 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-01 16:58 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.