Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Female Worshipper in Front of a Column Support” — 64 records examined, 10 dropped by the rights gate.
Archives queried 2026-08-28 19:16 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Female Worshipper in Front of a Column Support
Artist not stated in the record · 1st century BCE–early 1st century CE

Main altar
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809

Furniture support: female sphinx with Hathor-style curls
Artist not stated in the record · ca. 18th century BCE

Designs for a Mantelpiece
Giuseppe Barberi, Italian, 1746–1809 · ca. 1785

Khusrau and Shirin
Hatifi · dated 904 AH/1498–99 CE

Monument of King Louis XVI of France
Giuseppe Barberi, Italian, 1746–1809 · ca. 1795

Composite Papyrus Capital
Artist not stated in the record · 380–343 BCE

Monument of King Louis XVI of France
Giuseppe Barberi, Italian, 1746–1809 · ca. 1795

Portrait of a Woman
Quinten Massys · ca. 1520

Design for Side Serving Table with two shelves adorned by two Corinthian- column front supports on a two-drawer base
A.N. Davenport Co. · 1900–05

Terracotta female figure
Artist not stated in the record · ca. 1400–1300 BCE

Door in a garden wall
Filippo Marchionni, Italian, 1732–1805 · ca. 1754

Pair of andirons
Pere Jean-Antoine Ducerceau · late 16th–early 17th century

Design for a Bedroom, Hotel de Mailly-Nesle, Paris
Gilles Paul Cauvet, French, 1731–1788 · 1770–80

Portrait of a Woman with a Man at a Casement
Fra Filippo Lippi · ca. 1440

Design for a Main Altar
Giuseppe Barberi, Italian, 1746–1809 · 1746-1809

Madonna and Child
Filippino Lippi · ca. 1483–84

Design for Left Half of Door Frame
A. Quadrío, Italian, active 18th century · 1700–30

Marie Joséphine Charlotte du Val d'Ognes (1786–1868)
Marie Denise Villers · 1801

Timepiece
Giuseppe Barberi, Italian, 1746–1809 · ca. 1785–1790

The Vision of Saint John
El Greco (Domenikos Theotokopoulos) · ca. 1608–14

Stuart Monument
Giuseppe Barberi, Italian, 1746–1809 · 1793

The Female Pharaoh Hatshepsut
Artist not stated in the record · ca. 1473–1458 BCE

Project for an altar in a side chapel
Artist not stated in the record · 1725–1750
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 253 matched · 24 examined · 10 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 7483724 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 19:16 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.