OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 18 shown for “Flaminio Torre (Torri)” — 46 records examined, 9 dropped by the rights gate.
Archives queried 2026-08-28 06:08 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Virgin Appearing to Saint Jerome (recto); Head of a Young Woman with Braided Hair
Flaminio Torre (Torri) · 1621–61
Joseph Torry
George Kendall Warren, 1834 - 29 Nov 1884 · c. 1870
Pan and Cupid
Flaminio Torre (Torri) · 1640–60
Pontifical Palace at Monte Cavallo
Artist not stated in the record · 17th century
Patron saints of Bologna looking upwards at the Virgin who is seated in the clouds with the infant Christ on her lap
Flaminio Torre (Torri) · 1640–50
Design for a Chalice, Elevation
Flaminio Innocenzi Minozzi, Italian, 1735 – 1817 · ca. 1785
Samson holding the jaw bone of an ass over his head and standing next to the Philistines he has just killed, more dead bodies in the background, a tapered composition with rounded top, after Reni
Flaminio Torre (Torri) · ca. 1640–60
Sticherus cryptocarpus (Hook.) Ching
Artist not stated in the record · 10 Feb 1934 to 15 Feb 1934
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above, after Reni
Flaminio Torre (Torri) · ca. 1620–61
Project for a painted ceiling with an antique bust in an archway
Flaminio Innocenzi Minozzi, Italian, 1735 – 1817 · 1807
Bartolomeo Bonghi (died 1584)
Giovanni Battista Moroni · shortly after 1553
![A parade float in Reggio, Italy: "Carro trionfale della Compagnia di S. Rocco" (The Triumphal Carriage of the Company of St. Roch). Plate 2b from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-A78CAE7A4FBB2-000001.jpg&w=3840&q=75)
A parade float in Reggio, Italy: "Carro trionfale della Compagnia di S. Rocco" (The Triumphal Carriage of the Company of St. Roch). Plate 2b from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.
Artist not stated in the record · 1619
![A fountain designed for a parade in Reggio, Italy: "Machina della Confraternità de' Crocesegnati presso S. Domenico" (The Apparatus of the Confraternity of the Sign of the Cross at the Church of St. Dominic). Plate 3 from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-E9567668BBE22-000001.jpg&w=3840&q=75)
A fountain designed for a parade in Reggio, Italy: "Machina della Confraternità de' Crocesegnati presso S. Domenico" (The Apparatus of the Confraternity of the Sign of the Cross at the Church of St. Dominic). Plate 3 from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.
Artist not stated in the record · 1619
![A parade float in Reggio, Italy: "Carro trionfale della Confraternità del S.to Sacrame.to di S. Stefano" (The Triumphal Carriage of the Confraternity of the Holy Sacrament of St. Stephen). Plate 2a from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.](/_next/image?url=https%3A%2F%2Fids.si.edu%2Fids%2Fdownload%3Fid%3DCHSDM-25AF2514B0B92-000001.jpg&w=3840&q=75)
A parade float in Reggio, Italy: "Carro trionfale della Confraternità del S.to Sacrame.to di S. Stefano" (The Triumphal Carriage of the Confraternity of the Holy Sacrament of St. Stephen). Plate 2a from A. Isacchi, "Relatione di Alfonso Isachi intorno l'origine, solennità, traslatione, et miracoli della Madonna di Reggio [...]" published by Flaminio Bartoli, Reggio.
Artist not stated in the record · 1619
Microlepia strigosa (Thunb.) J. Presl
Artist not stated in the record · May 1931
Design for a Chalice, Plan
Flaminio Innocenzi Minozzi, Italian, 1735 – 1817 · ca. 1785
Cleistogenes serotina
Artist not stated in the record · 1904
Euphorbia verrucosa L.
Artist not stated in the record · 1904
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 6 matched · 6 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.6 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 64484 matched · 40 examined · 9 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 06:08 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.