OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Four fragments of Orphrey Bands Made into a Panel” — 64 records examined, 4 dropped by the rights gate.
Archives queried 2026-08-26 23:18 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Four fragments of Orphrey Bands Made into a Panel
Artist not stated in the record · 16th or 17th century
Orphrey band fragment
Artist not stated in the record · 15th century
Panel
Artist not stated in the record · second half 8th century
Orphrey band fragment
Artist not stated in the record · 15th century
Cheval fire screen
Thomas Moore · ca. 1755–60
Orphrey band fragment
Artist not stated in the record · 15th century
Panel
Artist not stated in the record · early 9th century
Orphrey band fragment
Artist not stated in the record · 15th century
Commode à vantaux
David Roentgen · ca. 1775–79 with later alterations
Chasuble back
Artist not stated in the record · 15th century
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David · ca. 1510
Fragment of an orphrey band
Artist not stated in the record · 16th century
The Adoration of the Magi
Giotto di Bondone · possibly ca. 1320
Chasuble
Artist not stated in the record · 17th century
Archangel Gabriel; The Virgin Annunciate
Gerard David · ca. 1510
Orphrey band fragment
Artist not stated in the record · 15th century
The Adoration of the Magi
Bartolo di Fredi · ca. 1390
Orphrey band
Artist not stated in the record · 16th century
Box with Romance Scenes
Artist not stated in the record · ca. 1310–30
Alternative Designs for a Metal Gate
Artist not stated in the record · ca. 1820
The Flight into Egypt
Cosmè Tura (Cosimo di Domenico di Bonaventura) · 1470s
Fragment
Artist not stated in the record · 16th century
The Journey of the Magi
Sassetta (Stefano di Giovanni) · ca. 1433–35
Fragment
Artist not stated in the record · 1000–1400
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 865 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3870472 matched · 40 examined · 4 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 23:18 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.