OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Fragment of Lotus Collar Terminals” — 60 records examined, 10 dropped by the rights gate.
Archives queried 2026-08-27 15:34 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Fragment of Lotus Collar Terminals
Artist not stated in the record · ca. 1386–1347 BCE
Carving Knife with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Fragment of Lotus Collar Terminals
Artist not stated in the record · ca. 1386–1347 BCE
Carving Knife with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Fragment of Lotus Collar Terminals
Artist not stated in the record · ca. 1386–1347 BCE
Knife Sharpener with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Miniature broad collar
Artist not stated in the record · 332–246 BCE
Chair
Duncan Phyfe, American, 1768–1854 · ca. 1840
Jewelry Elements for a Broad Collar
Artist not stated in the record · ca. 1347–1330 BCE
Carving Fork with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Broad Collar
Artist not stated in the record · ca. 1347–1330 BCE
Carving Fork with Antler Handle and Boar's Head Terminal
Gorham Manufacturing Company, Providence, Rhode Island, USA, founded 1818 · 1900
Fragment from the Backplate of an Icon
Artist not stated in the record · 16th century
Side chair
Artist not stated in the record · ca. 1840
Floral Garland Fragments
Artist not stated in the record · ca. 1051–1002 BCE
Tea Caddy Spoon
Edward C. Moore (1827-1891) · late 19th century
Textile Fragment
Artist not stated in the record · mid-16th century
Collar fragment
Artist not stated in the record · 17th–18th century
Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez) · 1650
Collar fragment
Artist not stated in the record · early 17th century
Reconstructed lotiform chalice
Artist not stated in the record · ca. 1080–664 BCE
Jar and cover
Artist not stated in the record · 1780–90
Textile Fragments
Artist not stated in the record · 15th–16th century
Waistcoat fragments
Artist not stated in the record · late 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 20 matched · 20 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2872495 matched · 40 examined · 10 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 15:34 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.