OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 22 shown for “Fragment of a Door Jamb with Geometric and Vegetal Motifs” — 64 records examined, 3 dropped by the rights gate.
Archives queried 2026-08-28 12:04 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Fragment of a Door Jamb with Geometric and Vegetal Motifs
Artist not stated in the record · 5th–6th century
Drop Front Desk
Kimbel & Cabus, New York, New York, USA, active 1863–1882 · ca. 1875
Pair of Minbar Doors
Artist not stated in the record · ca. 1325–30
Plan et Elévation Géometral d’une Porte Cochere
Jean Mansart de Jouy, French, 1705 - 1783 · mid- 18th–late 18th century
Pair of Doors Carved in the 'Beveled Style'
Artist not stated in the record · 9th century
Porte Cochere avec son Plan
Jean Mansart de Jouy, French, 1705 - 1783 · 1760–90
Temple Pendant with Two Birds Flanking a Tree of Life (front) and Geometric and Vegetal Motifs (back)
Artist not stated in the record · 11th–12th century
Icon
Ethiopian Orthodox · Mid-17th century
Panel
Artist not stated in the record · second half 8th century
Porte Cochere avec Atigue, necessaire aux Sculpteurs et Menuisiers
A. Le Canu, French, active 1746 – 1768 · ca. 1768
Portal from the Church of San Leonardo al Frigido
Biduinus · ca. 1175
Porte Cochere avec Atigue, necessaire aux Sculpteurs et Menuisiers
A. Le Canu, French, active 1746 – 1768 · 1760–90
Plan et Elévation d’une Porte Cochere
A. Le Canu, French, active 1746 – 1768 · mid- 18th–late 18th century
Door Mount
Artist not stated in the record · possibly 11th century
Coverlet fragment
Artist not stated in the record · early 19th century
Door Mount
Artist not stated in the record · possibly 11th century
Border
Artist not stated in the record · early 17th century
Door Mount
Artist not stated in the record · possibly 11th century
Napkin fragment
Artist not stated in the record · ca. 1850
Door Mount
Artist not stated in the record · possibly 11th century
Fragment
Artist not stated in the record · 100 BC–800 AD
Elevation and Plan of a Carriage Entrance
François de Cuvilliés the Elder, Belgian, 1695 - 1768 · 1745
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 266 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4076293 matched · 40 examined · 2 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 12:04 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.