OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Fragment of a terracotta relief of a woman and child” — 64 records examined, 23 dropped by the rights gate.
Archives queried 2026-09-04 01:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Fragment of a terracotta relief of a woman and child
Artist not stated in the record · mid-4th century BCE
Fragment
Artist not stated in the record · ca. 1810
Fragment of a terracotta relief of a woman and child
Artist not stated in the record · 4th century BCE
Tusk
Kongo artist · ca. 1860
Marble grave stele of a young woman and servant
Artist not stated in the record · ca. 400–390 BCE
Studies for a Sepulchral Monument, possibly commissioned by King John II of Portugal-Brazil (1815-1826)
Camillo Gajani, Italian · ca. 1820
Fragment of a Floor Mosaic with a Personification of Ktisis
Artist not stated in the record · 500–550, with modern restoration
Designs for a Capital, Sarcophagus, and Relief
Romolo Achille Liverani, Italian, 1809 - 1872 · ca. 1840
Fragments of a marble statue of the Diadoumenos (youth tying a fillet around his head)
Polykleitos · ca. 69–96 CE
Fragment
Favre Petitpierre, France, 1802–1818 · early 19th century
Terracotta statue of a young woman
Artist not stated in the record · late 4th–early 3rd century BCE
Panel
Artist not stated in the record · 18th century
Ten marble fragments of the Great Eleusinian Relief
Artist not stated in the record · ca. 27 BCE–14 CE
Ornamental brick fragment from the Chattahoochee Brick Company
Chattahoochee Brick Company, American, 1878 - 1970s · ca. 1886
Terracotta head of a woman
Artist not stated in the record · 3rd–2nd century BCE
Cabinet card of three unidentified women and a child by J. P. Ball & Son
Artist not stated in the record · 1887-1900
Madonna and Child (The Lehman Madonna)
Andrea della Robbia · ca. 1470–75
Charmeur d'Oiseaux
Artist not stated in the record · ca. 1825
Carved amber bow of a fibula (safety pin)
Artist not stated in the record · ca. 500 BCE
Fragment of a child's tunic
Artist not stated in the record · 10th–12th century
Fragment of the marble stele (grave marker) of a hoplite (foot soldier)
Artist not stated in the record · ca. 525–515 BCE
Design for a Chimneypiece
Artist not stated in the record · 1780–1800
Terracotta amphora (jar)
Andokides · ca. 530 BCE
Design for Toile de Jouy: La Marchande d'Amours (The Cupid Seller)
Hippolyte Le Bas, French, 1782–1867 · 1817–18
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 20160 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 4057384 matched · 40 examined · 23 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 01:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.