OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Fragment of an Orphrey” — 64 records examined, 3 dropped by the rights gate.
Archives queried 2026-09-03 18:01 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Fragment of an orphrey
Artist not stated in the record · second half 15th century
Fragment of an orphrey band
Artist not stated in the record · 16th century
Fragment of an Orphrey
Artist not stated in the record · 13th century
Orphrey band fragment
Artist not stated in the record · 15th century
Fragment of a Floor Mosaic with a Personification of Ktisis
Artist not stated in the record · 500–550, with modern restoration
Orphrey fragment
Artist not stated in the record · 16th century
Fragments of a marble statue of the Diadoumenos (youth tying a fillet around his head)
Polykleitos · ca. 69–96 CE
Fragments
Artist not stated in the record · 16th century
Fragment of the marble stele (grave marker) of a hoplite (foot soldier)
Artist not stated in the record · ca. 525–515 BCE
Orphrey fragment
Artist not stated in the record · 16th century
Moses and Aaron before Pharaoh: An Allegory of the Dinteville Family
Master of the Dinteville Allegory · 1537
Orphrey band fragment
Artist not stated in the record · 15th century
Fragment of a Queen's Face
Artist not stated in the record · ca. 1386–1330 BCE
Orphrey fragment
Artist not stated in the record · 15th–16th century
Portrait of William Duguid
Prince Demah Barnes · 1773
Orphrey band fragment
Artist not stated in the record · 15th century
Orphrey
Artist not stated in the record · early 17th century
Orphrey band fragment
Artist not stated in the record · 15th century
Fragment of an Ivory Comb
Artist not stated in the record · 1st–3rd century
Orphrey band fragment
Artist not stated in the record · 15th century
Mural
Teotihuacan artist(s) · 500–550 CE
Cope, hood and orphrey
Artist not stated in the record · 16th century
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia) · ca. 1455–60
Orphrey
Artist not stated in the record · early 17th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 8280 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2881350 matched · 40 examined · 3 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-03 18:01 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.