Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Fragment with royal feet” — 64 records examined, 29 dropped by the rights gate.
Archives queried 2026-08-31 09:20 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Fragment with royal feet
Artist not stated in the record · ca. 1347–1330 BCE

The Lion Strangler
Artist not stated in the record · early–mid-12th century

Relief fragment with a cobra on the royal head
Artist not stated in the record · ca. 2020–2000 B.C.

Fragment
Artist not stated in the record · 1880

Fragment of a Queen's Face
Artist not stated in the record · ca. 1386–1330 BCE

Fragment
Artist not stated in the record · 18th century

Sculptor's model / votive relief with two sides: side one, two registers with a right foot on each; side two, a royal-like figure
Artist not stated in the record · 400–200 BCE

Textile
Jean-Baptiste Huet, French, 1745 – 1811 · 1783–1784

Fragment of a Royal Head, Probably Apries
Artist not stated in the record · 589–570 BCE

Sidewall
Artist not stated in the record · ca. 1872

Relief fragment with sandalled feet
Artist not stated in the record · ca. 1347–1330 BCE

Pressure Suit, Sokol KV-2, Dennis Tito
Zvezda

Standing Figure with Feathered Headdress
Artist not stated in the record · 12th–early 13th century

Design for Music Cabinet
A.N. Davenport Co. · 1900–05

Fragments of a marble statue of the Diadoumenos (youth tying a fillet around his head)
Polykleitos · ca. 69–96 CE

Préliminaire Apologétique Sur La Forge.
Jean Lamour, French, 1698–1771 · 1767–68

Roller (one of a pair)
Meissen Manufactory · ca. 1740

Boudoir cabinet card of convict laborers at Swannanoa Cut
Artist not stated in the record · ca. 1885

Roller (one of a pair)
Meissen Manufactory · model ca. 1740, mounts mid-18th century

Mantel and Paneling for an Apartment
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761

Relief with a royal foot
Artist not stated in the record · ca. 1347–1330 BCE

Semi-Cylindrical Bulb Pot
Royal Worcester, English, established 1751 · ca. 1795

Relief fragment with royal titles
Artist not stated in the record · ca. 1347–1330 BCE

Le manteau royal
Artist not stated in the record · ca. 1785
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 1696 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 295146 matched · 40 examined · 28 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-31 09:20 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.