OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Fragment with the cartouche of Nefertiti” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-08-28 20:38 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Fragment with the cartouche of Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Sidewall
Artist not stated in the record · 1840–70
Fragment with the cartouche of Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Textile
Artist not stated in the record · 1750–1800
Fragment with the cartouche of Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Title Page
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Block fragment with the cartouche of Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Title Page
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Balustrade fragment with cartouche of Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Possible Trade Card for Clothier
Artist not stated in the record · 1750–1800
Block fragment with cartouche of Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Fragment
Artist not stated in the record · 17th century
Goblet Inscribed with the Names of King Amenhotep IV and Queen Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Tiraz fragment
Artist not stated in the record · 10th century
Element with the cartouche of Nefertiti
Artist not stated in the record · ca. 1347–1330 BCE
Flounce fragment
Artist not stated in the record · 1755–70
Fragment of a Floor Mosaic with a Personification of Ktisis
Artist not stated in the record · 500–550, with modern restoration
Fragment
Artist not stated in the record · 16th century
Inscribed fragment of a support pillar, Akhenaten, Nefetiti, Aten cartouches
Artist not stated in the record · ca. 1347–1330 BCE
Fragments
Artist not stated in the record · 17th century
Fragment of a Queen's Face
Artist not stated in the record · ca. 1386–1330 BCE
Designs After Architecture Fragments
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Fragments of a marble statue of the Diadoumenos (youth tying a fillet around his head)
Polykleitos · ca. 69–96 CE
Designs After Architecture Fragments
Gilles-Marie Oppenord, French, 1672–1742 · 1749-1761
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 25173 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3023367 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 20:38 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.