OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Fragments of a cart or chariot, loops” — 64 records examined, 19 dropped by the rights gate.
Archives queried 2026-08-28 06:25 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Fragments of a cart or chariot, loops
Artist not stated in the record · ca. 500–480 BCE
Paysage, Chariot Attelé de Boeufs
Artist not stated in the record · 1846
Fragments of a cart or chariot, loops
Artist not stated in the record · ca. 500–480 BCE
Fragment
Artist not stated in the record · early 19th century
Fragment of a cart or chariot
Artist not stated in the record · ca. 500–480 BCE
Fragment
Artist not stated in the record · ca. 1815
Fragment of a cart or chariot
Artist not stated in the record · ca. 500–480 BCE
Fragment
Artist not stated in the record · 600–300 BC
Fragments of a cart or chariot, sockets
Artist not stated in the record · ca. 500–480 BCE
Apollo in His Chariot
Unidentified
Fragments of a cart or chariot, sockets
Artist not stated in the record · ca. 500–480 BCE
Neptune ou la maitrise du mer (Neptune or the Mastery of the Sea)
Petitpierre et Cie, Nantes, France, 1770–1848 · 1795
Fragments of a cart or chariot, S-shaped braces
Artist not stated in the record · ca. 500–480 BCE
Border fragment
Artist not stated in the record · 16th century
Fragments of a cart or chariot, S-shaped braces
Artist not stated in the record · ca. 500–480 BCE
Fragment
Artist not stated in the record · 18th century
Fragments of a cart or chariot, S-shaped braces
Artist not stated in the record · ca. 500–480 BCE
Fragment
Joseph Lockett · mid- 18th–early 19th century
Fragment of a cart or chariot, socket with satyr mask
Artist not stated in the record · ca. 500–480 BCE
The representation of Mount Etna with the forge of Vulcan.
Artist not stated in the record · 1767
Fragments of a cart or chariot, hook, nails, double strip
Artist not stated in the record · ca. 500–480 BCE
Border
Artist not stated in the record · 17th century
Fragment of a cart or chariot, plaque with socket
Artist not stated in the record · ca. 500–480 BCE
The Chariot of the Sun Fantasy
Frederic Edwin Church, American, 1826–1900 · probably 1868–69
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 123 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 3884916 matched · 40 examined · 19 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 06:25 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.