OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Francesco Bartolozzi” — 64 records examined, 3 dropped by the rights gate.
Archives queried 2026-08-26 20:18 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
S. Pierre Regalda (S. Pietro d'Alcantara)
Francesco Bartolozzi · 1746
Catherine II
Francesco Bartolozzi, 1725 - 1815 · 1785
Advertisement for Memento, Inventions Exhibition, South Kensington, 1885
Francesco Bartolozzi · ca. 1885
Rural Innocence
Artist not stated in the record · 1785
Advertisement for Memento, Inventions Exhibition, South Kensington, 1885
Francesco Bartolozzi · ca. 1885
Frontispiece, "Wheatstone's National Melodies"
Artist not stated in the record · 1798
Acis and Galatea
Francesco Bartolozzi · 1787
Woman with a Book
Artist not stated in the record · ca. 1760–1770
Bathing Nymphs
Francesco Bartolozzi · March 1, 1787
Woman with a Turban
Artist not stated in the record · ca. 1760–1770
Saint Roch
Francesco Bartolozzi · 1756
An Old Man's Head
John Chamberlaine, English, 1745 - 1812 · 1796
Britannia
Francesco Bartolozzi · 1775
Magdalen
Artist not stated in the record · ca. 1775–1800
Christ Praying in the Garden
Francesco Bartolozzi · 1754
Geography
Artist not stated in the record · 1788
History
Francesco Bartolozzi · May 18, 1793
Vignette for "The Gardens" of the Abbé de Lille
Artist not stated in the record · 1798
Ariadne, Cupid and Bacchus
Francesco Bartolozzi · 1788
Vignette for "The Gardens" of the Abbé de Lille
Artist not stated in the record · 1798
Prometheus, naked, chained to a rock, looking up at an eagle standing over him
Francesco Bartolozzi · 1795
Cupid
Henry Bryer, English, d. 1799 · 1777
History
Francesco Bartolozzi · May 18, 1793
A Man's Head, Large Front Face
Artist not stated in the record · 1796
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 141 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 434 matched · 40 examined · 3 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-26 20:18 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.