OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Francesco Bedeschini, Italian” — 64 records examined, 0 dropped by the rights gate.
Archives queried 2026-09-04 05:05 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Francesco I de' Medici, grand duke of Tuscany
Giambologna · modeled 1585–87, cast ca. 1611
One of a set of trophies of weapons of war as a decoration of a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Saint Ignatius Loyola with an angel holding a book
Francesco Bertos · ca. 1722
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved
Francesco Bedeschini, Italian · 1675-1699
The Descent of the Holy Spirit
Francesco Orlandini · 1547
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Trilobed cistern (bacile trilobato)
workshop of Francesco Patanazzi · ca. 1600–1610
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Francesco d'Este (born ca. 1429, died after 1486)
Rogier van der Weyden · ca. 1460
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Francesco Bocchetta
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) · ca. 1565–90
One of a set of trophies of weapons of war as a decoration for a horizontal panel
Francesco Bedeschini, Italian · 1675-1699
Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi) · ca. 1488
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved
Francesco Bedeschini, Italian · 1675-1699
Studiolo from the Ducal Palace in Gubbio
Francesco di Giorgio Martini · ca. 1478–82
One set of trophies of weapons of war as a decoration for horizontal panels
Francesco Bedeschini, Italian · 1675-1699
Federico Gonzaga (1500–1540)
Francesco Francia · 1510
One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved
Francesco Bedeschini, Italian · 1675-1699
The Antechamber of the Sala del Maggior Consiglio
Francesco Guardi · ca. 1765–68
One set of trophies of weapons of war as a decoration for horizontal panels
Francesco Bedeschini, Italian · 1675-1699
Chapel from Le Château de la Bastie d'Urfé
Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli) · ca. 1547–48
One of a set of projects for a title page and for the decoration of a vertical panel
Francesco Bedeschini, Italian · 1675-1699
Francesco Sforza (1401–1466), Fourth Duke of Milan (r. 1450–66)
Artist not stated in the record · late 15th century
One of a set of trophies of weapons of war as a decoration of a horizontal panel.
Francesco Bedeschini, Italian · 1675-1699
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 2177 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 6452 matched · 40 examined · 0 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-04 05:05 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.