OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Francesco Solimena” — 58 records examined, 7 dropped by the rights gate.
Archives queried 2026-08-28 13:40 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Birth of the Virgin
Francesco Solimena · ca. 1690
Portrait of Ferdinand Patritus of Naples at the Age of Sixty
Artist not stated in the record · 1744
Diego Pignatelli d'Aragona (1687–1750) and an Enslaved Servant
Francesco Solimena · probably 1731 or 1732
Virgin in Glory with St. Peter and St. Paul
Artist not stated in the record · ca. 1715
The Triumph of David
Francesco Solimena · 1677–1747
Clement XI Vesting His Niece as Nun
Artist not stated in the record · ca. 1700
Jupiter with his Eagle (recto)
Francesco Solimena · 1657–1747
Study for a fresco for the hall of the Senate, Genova: The relics of St. John Baptist are brought to Genova
Francesco Solimena, Italian, 1657–1747 · ca. 1715
The Continence of Scipio
Francesco Solimena · 1657–1747
Angel Carrying a Monstrance
Artist not stated in the record · early 18th century
Group of Allegorical figures: Sketch for a Ceiling Decoration ?
Francesco Solimena · 1657–1747
Study for Two Cherubim
Artist not stated in the record · early 18th century
Allegorical Figure of Study
Francesco Solimena · 1657–1747
Death of St. Joseph, study for a ceiling painting
Francesco Solimena, Italian, 1657–1747 · ca. 1670–1747
Study for the Fall of Simon Maqus, S. Paolo Maggiare, Naples
Francesco Solimena · 1690
The Death of Viginia, Daughter of Marcus Claudius
Artist not stated in the record · ca. 1700
The Prophetess Deborah Ordering Barak to Take Arms against Sisera
Francesco Solimena · 1728–33
Study of Two Putti
Francesco Solimena, Italian, 1657–1747 · 1689–94
Noli me tangere
Pietro Monaco · 1730–39
Design for a Reliquary
Francesco Solimena, Italian, 1657–1747 · 1675–1700
Bathsheba at her bath, with attendants surrounding her
Pierre Jacques Gaultier · ca. 1740
Design for the Elevation of an Altar with Alternative Suggestions
Francesco Solimena, Italian, 1657–1747 · ca. 1700–40
Study for the Muse Urania
Michel Dorigny · mid-17th century
Study for Painting "The Landing of Columbus in America," Sala del Minor Consiglio, Palazzo Ducale, Genoa, Italy
Francesco Solimena, Italian, 1657–1747 · 1715–18
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 18 matched · 18 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 438 matched · 40 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-28 13:40 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.