OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Francesco Wenzel, Italian, active 19th century” — 64 records examined, 1 dropped by the rights gate.
Archives queried 2026-09-05 22:44 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Bassoon
Giosue Esposito · 1881
La Basilica del Foro a Pompei
Francesco Wenzel, Italian, active 19th century
Portal from the Church of San Leonardo al Frigido
Biduinus · ca. 1175
Porta di Pompei
Francesco Wenzel, Italian, active 19th century
The Adoration of the Shepherds
Bartolo di Fredi · 1374
Avanzi di Pesto
Francesco Wenzel, Italian, active 19th century
Saints Bartholomew and Simon
Master of Saint Francis · ca. 1272
Woman with a Book
Artist not stated in the record · ca. 1760–1770
Tenor Valve Trombone in B-flat
Pietro Borsari · ca. 1870
Woman with a Turban
Artist not stated in the record · ca. 1760–1770
Francesco Sassetti (1421–1490) and His Son Teodoro
Domenico Ghirlandaio (Domenico Bigordi) · ca. 1488
Geography
Artist not stated in the record · 1788
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona · 1434
Saint Paul Reading
Artist not stated in the record · ca. 1760–1770
Federico Gonzaga (1500–1540)
Francesco Francia · 1510
Young Woman in a Thoughtful Attitude
Artist not stated in the record · ca. 1760–1770
Samson Captured by the Philistines
Guercino (Giovanni Francesco Barbieri) · 1619
Portrait of a Young Man
Artist not stated in the record · ca. 1760–1770
Portrait of a Young Man
Hans Memling · ca. 1472–75
Two Young Girls, One Holding a Cage
Artist not stated in the record · ca. 1760–1770
The Last Supper
Ugolino da Siena (Ugolino di Nerio) · ca. 1325
Male Portrait with Drapery over Shoulders
Artist not stated in the record · ca. 1760–1770
Pietà
Carlo Crivelli · 1476
Salvator Mundi, with a Globe and a Cross
Artist not stated in the record · ca. 1760–1770
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 973 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 62727 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 22:44 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.