OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Francesco di Marco Marmitta da Parma” — 64 records examined, 16 dropped by the rights gate.
Archives queried 2026-09-05 21:19 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Adoration of the Shepherds
Francesco di Marco Marmitta da Parma · ca. 1500
Escape of Carrara
Frederick Bacon, English, born London, England 1803-died CA 1887
The Crucifixion
Fra Angelico (Guido di Pietro) · ca. 1420–23
Da L'Esca un Picciol Rivo a Sobria Mensa
Unidentified · n.d.
The Adoration of the Shepherds
Andrea Mantegna · shortly after 1450
La Scala Theater, Milan
Angelo Biasoli, 1790–1830 · 1815–1830
Madonna and Child
Duccio di Buoninsegna · ca. 1290–1300
Schizothrix calcicola Gomont
Artist not stated in the record · Jan 1870
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi) · early 1490s
Schizothrix calcicola Gomont
Artist not stated in the record · Jan 1870
Francesco d'Este (born ca. 1429, died after 1486)
Rogier van der Weyden · ca. 1460
''La Sacra Genesi figurata da Rafaele D'Urbino nelle logge vaticane'' (Title Page, Raphael's Genesis Frescoes in the Vatican Loggia)
Francesco Villamena, ca.1566 – 1626 · 1625–26
The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte) · ca. 1590
Design for a Ceiling (?) Painting with the Coat of Arms of Cardinal Francesco Maria de'Medici
Antonio Domenico Gabbiani, Italian, 1652 - 1726 · ca. 1690
The Flight into Egypt
Cosmè Tura (Cosimo di Domenico di Bonaventura) · 1470s
Jean Jacques Regis de Cambaceres, Duke of Parma
Henry Wolf, born Eckwersheim, Alsace 1852-died New York City 1916 · 1895
Allegory of Sacred and Profane Love
Michele Desubleo · 1665–75
Section of the House and Proscenium
Saverio Avesani, Italian, b. 1690 · ca. 1720
The Birth of the Virgin
Fra Carnevale (Bartolomeo di Giovanni Corradini) · 1467
Self-Portrait of Leonardo da Vinci, from "Original Designs of the Most Celibrated Mastesr of the Bolognese, Roman, Florentine, and Venetian Schools, in his Majesty's Collection"
Artist not stated in the record · 1795
Approach to a Mountain Village with Horsemen on the Road
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) · ca. 1501
Porta di Pompei
Francesco Wenzel, Italian, active 19th century
The Crucified Christ between the Virgin and Saint John the Evangelist
Lorenzo Monaco (Piero di Giovanni) · ca. 1406
Avanzi di Pesto
Francesco Wenzel, Italian, active 19th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 92 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 86168 matched · 40 examined · 16 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 21:19 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.