Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Frank M. Bailey” — 64 records examined, 13 dropped by the rights gate.
Archives queried 2026-09-05 06:36 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.![[Merchants' Carnival Portrait: M.P. Allen Ranges & Stoves, Lima, New York], by Frank M. Bailey](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP-43423-107.jpg&w=3840&q=75)
[Merchants' Carnival Portrait: M.P. Allen Ranges & Stoves, Lima, New York]
Frank M. Bailey · 1880s–1890s

Oligoneuron riddellii (Frank) Rydb.
Artist not stated in the record · 12 Sep 1960

Andiron
John Bailey · 1792–1814

Ptelea trifoliata var. lutescens V. L. Bailey
Artist not stated in the record · Transcribed d/m/y: 5/5/10

Carex communis L.H. Bailey var. communis
Artist not stated in the record · Transcribed d/m/y: 30/5/81

Tea or hot water urn
John McMullin · 1799

Prunus hortulana L.H. Bailey
Artist not stated in the record · Transcribed d/m/y: 6/5/11

Boating
Edouard Manet · 1874

Oligoneuron riddellii (Frank) Rydb.
Artist not stated in the record · 31 Jul 1961

The Rebuke of Adam and Eve
Charles Joseph Natoire · 1740

Carex lenticularis var. impressa (L.H. Bailey) L.A. Standl.
Artist not stated in the record · 6 Jul 2006

Waistcoat
Artist not stated in the record · 1840
Melanothamnus harveyi (Bailey) Diaz-Tapia & C.A. Maggs in Diaz-Tapia et al.
Artist not stated in the record · 8 Sep 1906

Slippers
Artist not stated in the record · 1850
Melanothamnus harveyi (Bailey) Diaz-Tapia & C.A. Maggs in Diaz-Tapia et al.
Artist not stated in the record · 12 Aug 1883

Slippers
Artist not stated in the record · 1830–50

Carex bella L.H. Bailey
Artist not stated in the record · 1885

Slippers
Artist not stated in the record · 1830–50

Carex jonesii L.H. Bailey
Artist not stated in the record · 8 Oct 1887
![[Display of Whitby Seascape Photographs], by Frank M. Sutcliffe](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fph%2Fweb-large%2FDP-32823-008_crop.jpg&w=3840&q=75)
[Display of Whitby Seascape Photographs]
Frank M. Sutcliffe · ca. 1888

Carex bella L.H. Bailey
Artist not stated in the record · 1885

Four Studies of Horses (recto); Four Studies of Galloping Horses and Riders (verso)
Eugène Delacroix · 1824–25

Ptelea trifoliata var. lutescens V. L. Bailey
Artist not stated in the record · 10 Sep 1889
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 770 matched · 24 examined · 12 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1248048 matched · 40 examined · 1 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-05 06:36 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.