OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 12 shown for “Franz Xavier Gegenreiner” — 24 records examined, 12 dropped by the rights gate.
Archives queried 2026-08-26 22:45 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.Smithsonian Open Access: HTTP 429 from api.si.edu. Results from the remaining archive are shown unchanged — nothing is substituted for a source that did not answer.
Mantel clock with alarm
Franz Xavier Gegenreiner · case ca. 1710, movement ca. 1760–70
The Destruction of the Royal Statue at New York on July 9, 1776
Anonymous, French, 18th century · ca. 1776
Réprésentation du feu terrible à nouvelle Yorck, que les Américains allumé pendant la nuit du 19. septembre 1776 (Representation of the terrible fire at New York, that the Americans lit during the night of September 19, 1776)
Anonymous, French, 18th century · ca. 1778
La Destruction de la Statue Royale à Nouvelle Yorck–Die Zerstörung der Königlichen Bild Säule zu Neu Yorck (Destruction of the Royal Statue at New York)
Anonymous, French, 18th century · 1776–77
Wall Elevation with a Secretaire, from 'Schreibtische'
Franz Xavier Habermann · ca. 1748–70
![L'Entré triumphale des Troupes royales a Nouvelle Yorck – Der Einzug der Königlichen Volcker in Neu Yorck [The Triumphal Entry of Royal Troops into New York], by Anonymous, French, 18th century](/_next/image?url=https%3A%2F%2Fimages.metmuseum.org%2FCRDImages%2Fdp%2Fweb-large%2FDP-44758-001.jpg&w=3840&q=75)
L'Entré triumphale des Troupes royales a Nouvelle Yorck – Der Einzug der Königlichen Volcker in Neu Yorck [The Triumphal Entry of Royal Troops into New York]
Anonymous, French, 18th century · 1776–77
Design for a Tabernacle, plate 4 from "Tabernacle"
Franz Xavier Habermann · printed ca. 1750–56
Design for a Tabernacle, plate 1 from "Tabernacle"
Franz Xavier Habermann · printed ca. 1750–56
Design for a Tabernacle, plate 3 from "Tabernacle"
Franz Xavier Habermann · printed ca. 1750–56
Wall Elevation with a Double Door, from 'Wandfüllungen'
Franz Xavier Habermann · ca. 1748–70
The Empress Eugénie (Eugénie de Montijo, 1826–1920, Condesa de Teba)
Franz Xaver Winterhalter · 1854
The Supper at Emmaus
Velázquez (Diego Rodríguez de Silva y Velázquez) · 1622–23
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 40 matched · 24 examined · 12 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. HTTP 429 from api.si.edu. No records from this archive are shown for this query.Unavailable
These figures describe the pass run at 2026-08-26 22:45 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.