OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 19 shown for “Funerary Cone of The Fourth Prophet of Amun” — 64 records examined, 33 dropped by the rights gate.
Archives queried 2026-08-27 17:21 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Funerary Cone of The Fourth Prophet of Amun
Artist not stated in the record · ca. 721–525 BCE
Design for a Sculpture of a Prophet Beside an Arch
Carlo Maria Giudici, Italian, 1723 - 1804 · 1780–1800
Funerary Cone of the Fourth Prophet of Amun Neferhotep
Artist not stated in the record · ca. 1550–1300 BCE
Ten-sqúat-a-way, The Open Door, Known as The Prophet, Brother of Tecumseh
George Catlin, born Wilkes-Barre, PA 1796-died Jersey City, NJ 1872 · 1830
Funerary Cone of the Fourth Prophet of Amun Montuemhat
Artist not stated in the record · ca. 721–525 BCE
Design for a Sculpture of a Prophet or Evangelist
Carlo Maria Giudici, Italian, 1723 - 1804 · 1780–1800
Funerary Cone of the Fourth Prophet of Amun Kaemamun
Artist not stated in the record · ca. 1427–1396 BCE
Prophet Noble Drew Ali, Founder of Moorish Science Temple of America
Artist not stated in the record · 1925
Funerary Cone of the Fourth Prophet of Amun Neferhotep
Artist not stated in the record · ca. 1550–1300 BCE
Lunette with Saints Peter and Paul, Matthew and the Prophet Isaiah, Study after Sebastiano del Piombo
Felice Giani, Italian, 1758–1823 · 1821–22
Funerary Cone of the Fourth Prophet of Amun Mentuemhat
Artist not stated in the record · 690–645 BCE
Drumstick used by Art Blakey
Artist not stated in the record · 1947-1990
Funerary Cone of the Fourth Prophet of Amun Kaemamun
Artist not stated in the record · ca. 1550–1300 BCE
Designs for Woven Paisley
Artist not stated in the record · 1825–40
Cone
Artist not stated in the record · ca. 1396–1386 BCE
Funerary Cone of Ahmose
Artist not stated in the record · ca. 1479–1425 BCE
Funerary Cone of the Scribe Neta
Artist not stated in the record · ca. 1386–1224 BCE
Funerary Cone of First Prophet of Amun Djehuty
Artist not stated in the record · ca. 1550–1525 BCE
Funerary Cone of First Prophet of Amun Djehuty
Artist not stated in the record · ca. 1550–1525 BCE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 109 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2983188 matched · 40 examined · 33 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.7 shown
These figures describe the pass run at 2026-08-27 17:21 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.