OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 23 shown for “Funerary Cone of the Goldsmith Nebseny” — 64 records examined, 29 dropped by the rights gate.
Archives queried 2026-08-27 20:06 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Funerary Cone of the Goldsmith Nebseny
Artist not stated in the record · ca. 1550–1300 BCE
Jan Lutma, Goldsmith
Artist not stated in the record · 1656
Funerary Cone of the Goldsmith Nebseny
Artist not stated in the record · ca. 1550–1300 BCE
Trade card of Louis Roupert, master goldsmith of Metz
Pierre Rabon, French, 1619 - 1684 · 1680
Cone
Artist not stated in the record · ca. 1396–1386 BCE
Designs for Two Trophies: Stonecutters and Goldsmiths
Jean-Charles Delafosse, French, 1734 – 1789 · 1780
Funerary Cone of the Wab-Priest Nebseny
Artist not stated in the record · ca. 1550–1300 BCE
Album of Prints Containing Sheets from the Collection of Vases Designed by A. Panier (Books 1-3), the Collection of Vases or Fountains Designed by A. Panier, and from the Collection of Different Ornaments Useful for Goldsmiths and Founders
A. Panier, French, active 18th century · 1767-1793
Funerary Cone of Djehutynefer
Artist not stated in the record · ca. 1550–1347 BCE
Design for a Sepulchral (Funerary) Wall Mounted Monument
D. Antoine Pierretz, French, active 1647 · 1647-55
Funerary Cone of the Goldsmith Nebwa
Artist not stated in the record · ca. 1550–1300 BCE
Sepulchral (Funerary) Monument Design
D. Antoine Pierretz, French, active 1647 · 1647-55
Funerary Cone of Amenemhat and His Wife Tahut
Artist not stated in the record · ca. 1550–1300 BCE
Design for a Sepulchral (Funerary) Wall Mounted Monument
D. Antoine Pierretz, French, active 1647 · 1647-55
Funerary Cone
Artist not stated in the record · ca. 1427–1396 BCE
Designs for Woven Paisley
Artist not stated in the record · 1825–40
Funerary Cone
Artist not stated in the record · ca. 1550–1300 BCE
Design for a Sepulchral (Funerary) Wall Mounted Monument
D. Antoine Pierretz, French, active 1647 · 1647-55
Funerary Cone
Artist not stated in the record · ca. 1550–1300 BCE
Designs for Woven Paisley
Artist not stated in the record · 1825–40
Funerary Cone
Artist not stated in the record · ca. 1550–1300 BCE
Unterschiedlich Augspurgische Goldschmidts Arbeit, Suite 1, Title Page
Abraham Drentwet, German, 1647 – 1727 · 1721–40
Funerary Cone
Artist not stated in the record · ca. 1550–1300 BCE
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 373 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2983119 matched · 40 examined · 29 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.11 shown
These figures describe the pass run at 2026-08-27 20:06 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.