OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Funerary figure of Qebehsenuef” — 64 records examined, 20 dropped by the rights gate.
Archives queried 2026-08-27 06:30 UTC · served from cache, not re-queried for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Funerary figure of Qebehsenuef
Artist not stated in the record · ca. 1080–332 BCE
Design for a Funerary Monument
Artist not stated in the record · 1780–1790
Funerary Figure of Qebehsenuef
Artist not stated in the record · ca. 400–30 BCE
Fitzgerald Monument--Funerary Urn
William Henry Rinehart, born Union Bridge, MD 1825-died Rome, Italy 1874 · modeled 1865
Figure
Artist not stated in the record · 12th century
Sampler
Artist not stated in the record · 1831
Canopic Jar, Qebehsenuef
Artist not stated in the record · ca. 721–343 BCE
Two Funerary Monument Designs
Henri Sallembier, French, ca. 1753 - 1820 · 1777
Funerary Figure of Akhenaten
Artist not stated in the record · ca. 1347–1330 BCE
Two Funerary Monument Designs
Henri Sallembier, French, ca. 1753 - 1820 · 1777
Guardian Figure
Artist not stated in the record · ca. 1919–1885 B.C.
Funerary tile
Artist not stated in the record · 100 BCE-100 CE
Marble funerary lekythos
Artist not stated in the record · ca. 375–350 BCE
Female figure
Inland Niger Delta Style · 10th-15th century
Funerary amulet depicting one of the Four Sons of Horus, Qebehsenuef
Artist not stated in the record · 332–30 BCE
Monument Designs
François de Cuvilliés the younger, German, 1731 - 1777 · 1770
Sarcophagus of Harkhebit
Artist not stated in the record · 595–526 BCE
Fragment
Artist not stated in the record · 1000–1450
Smiling figure (Sonriente)
South central Veracruz artist(s) · 600–1000 CE
Fragment
Artist not stated in the record · 1000–1450
Funerary Figure of Isis, Singer of the Aten
Artist not stated in the record · ca. 1347–1330 BCE
Funerary model of a twin-towered gate
Artist not stated in the record · 50 BCE-50 CE
Terracotta funerary plaque
Artist not stated in the record · ca. 520–510 BCE
Elevation of a Royal Catafalque
Luca Arinelli, Italian, active 1770 · late 18th century
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 995 matched · 24 examined · 1 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 2863488 matched · 40 examined · 19 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 06:30 UTC, replayed here rather than repeated. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.