Two archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Gijsbert Van Veen” — 64 records examined, 8 dropped by the rights gate.
Archives queried 2026-09-02 08:58 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Martyrdom of Saint Catherine, after Bernardino Passari
Gijsbert Van Veen · 1588

Portrait of Laevinus Torrentius, Bishop of Antwerp
Artist not stated in the record · ca. 1700-1730

Crucifixion with the Virgin Mary and Saint John the Evangelist, angels overhead
Gijsbert Van Veen · ca. 1593

Bythoceratina hispida (Van Veen)
Artist not stated in the record

Jacob Willemsz van Veen (1456–1535), the Artist's Father
Maarten van Heemskerck · 1532

Spinoleberis macerrima (Van Veen)
Artist not stated in the record

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930)
Vincent van Gogh · 1889

Design for a terminal figure of Charity
Otto van Veen, Flemish, 1556 - 1629 · 1576–1578

The Women of Weinsberg
Otto van Veen · late 16th–early 17th century

Adiantum stenochlamys Baker
Artist not stated in the record · 26 Feb 1937

The Martyrdom of Saint Andrew
Otto van Veen · ca. 1595
Glochidion sp.
Artist not stated in the record · 16 Nov 1914

Jewelry box
P. Ben · 1627
Cystoseira humilis
Artist not stated in the record · Apr 1972

The Triumph of the Church: Ecclesia Presented with the Doctrines, Seated in a Chariot Attended by the Four Doctors of the Church
Otto van Veen · 1615–20

Cissus sp.
Artist not stated in the record · 21 Dec 1940

Two women and three children in an interior
Otto van Veen · 1556–1629

Viola pilosa Blume
Artist not stated in the record · 22 Dec 1940

The Triumph of the Word of God, from "Triumph of the Catholic Church" (oil sketch for a painting of the same subject)
Otto van Veen · ca.1615–20

Huperzia monticola (Alderw.) Holub
Artist not stated in the record

Man in a Turban
Rembrandt (Rembrandt van Rijn) · 1632

Adiantum hispidulum Sw.
Artist not stated in the record · 15 Feb 1937

Bramling (Fringilla Montifringilla)
Gerardus van Veen · 1679

Sticherus truncatus (Willd.) Nakai
Artist not stated in the record · 27 Jan 1937
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 81 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 29194 matched · 40 examined · 8 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-09-02 08:58 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.