OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 19 shown for “Giocondo (Giuseppe) Albertolli” — 49 records examined, 14 dropped by the rights gate.
Archives queried 2026-08-29 12:32 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Overdoor with Eagle and Laurel Wreath (one of a pair)
Giocondo (Giuseppe) Albertolli · ca. 1790
Corinthian Capital
Artist not stated in the record · 1798
Scale Rendering of a Composite Order Capital
Artist not stated in the record · 1770–90
Design for a Ceiling Decoration
Giocondo (Giuseppe) Albertolli · 1742–1839
Old Italian Masters
Timothy Cole, born London, England 1852-died Poughkeepsie, NY 1931
Console (part of a set)
Giocondo (Giuseppe) Albertolli · ca. 1770–80
Portrait of a Man, Giuseppe Valadier
Jean-Baptiste Joseph Wicar, French, 1762 – 1834 · 1825–27
Portrait of Giuseppe Chialli (active 1800-1839)
Artist not stated in the record · ca. 1860
Candelabrum with Two Victory Figures (for 'Ornamenti Diversi')
Giocondo (Giuseppe) Albertolli · ca. 1782
Candlestick
Giuseppe Barberi, Italian, 1746–1809 · late 18th century
I dieci libri dell'architettura di M. Vitruvio tradutti et commentati da monsignor Barbaro eletto patriarca d'aquileggia
Marcus Pollio Vitruvius · 1556
The temples of Apollo and Diana built for the first day of the fireworks at SS. Peter and Paul by Paolo Posi
Artist not stated in the record · 1763
Knife Grinder, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 40
Giuseppe Maria Mitelli · 1660
Portrait of Giuseppe Bertolini (1804-1874)
Casanova Stabilimento Fotografico · 1874
Portrait of a Woman with a Man at a Casement
Fra Filippo Lippi · ca. 1440
Frame
Giuseppe Valadier, Italian, 1762–1839 · ca. 1796
St. Clare on façade of S. Silvestro in Capite
Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 · ca. 1759–70
Chalice
Giuseppe Barberi, Italian, 1746–1809 · 1780–1790
Surtout de Table (Centerpiece) with the Temple of Isis in Pompeii
Artist not stated in the record · ca. 1800
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 9 matched · 9 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.9 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 1723 matched · 40 examined · 14 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-29 12:32 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.