OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 20 shown for “Giovanni Antonio Santarelli” — 64 records examined, 32 dropped by the rights gate.
Archives queried 2026-08-28 14:19 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
Portrait of Giovanni Antonio Santarelli
Giovanni Battista Dell'Era · 1765–99
A Stucco Angel from the Nave Vault, Church of the Gesu, Rome," from the album "Drawings after Ornament and Architecture"
Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 · ca. 1759–70
Elisa Baciocchi, Princess of Lucca and Piombino, Grand Duchess of Tuscany
Giovanni Antonio Santarelli · ca. 1809
Portrait of Marcantonio Franceschini (1648-1729)
Artist not stated in the record · ca. 1750
Marie Louise (1791–1847), Empress of the French, Second Wife of Napoleon Bonaparte
Giovanni Antonio Santarelli · early 19th century
Veduta del Tempio di Antonio e Faustina in Campo Vaccino
Giovanni Battista Piranesi, Italian, 1720–1778 · 1758
Napoleon I (1769–1821), Emperor of the French
Giovanni Antonio Santarelli · early 19th century
Facade of the Palace of Mr. D'Aste on St. Mark's Square, Rome
Giovanni Antonio Rossi, Italian, active 1553 · 17th century
Felix Baciocchi, Prince of Lucca and Piombino
Giovanni Antonio Santarelli · ca. 1809
Pentecost
Giovanni Antonio Pellegrini, Italian, 1675–1741 · ca. 1700
Dancing Amorini with Bacchic symbols
Giovanni Antonio Santarelli · late 18th–early 19th century
Stage Design: Palace Entrance with Arch
Giovanni Antonio Galliari, 1718 - 1783 · ca. 1750
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia) · ca. 1449
Sketches of Peg-Legged Men
Artist not stated in the record · 1740–50
Piazza San Marco
Canaletto (Giovanni Antonio Canal) · late 1720s
State Coach
Giovanni Paolo Schor, 1615 – 1674 · 1650–60
Madonna and Child with Angels
Antonio Rossellino · ca. 1455–60
Saints Peter, Martha, Mary Magdalen, and Leonard
Correggio (Antonio Allegri) · ca. 1515
Christ Crowned with Thorns
Antonello da Messina (Antonello di Giovanni d'Antonio)
Portrait of a Young Man
Antonello da Messina (Antonello di Giovanni d'Antonio) · ca. 1470
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 622 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 38411 matched · 40 examined · 32 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.8 shown
These figures describe the pass run at 2026-08-28 14:19 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.