OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 12 shown for “Giovanni Antonio da Brescia” — 24 records examined, 0 dropped by the rights gate.
Archives queried 2026-08-28 12:55 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.Smithsonian Open Access: HTTP 429 from api.si.edu. Results from the remaining archive are shown unchanged — nothing is substituted for a source that did not answer.
Saint Matthew and the Angel
Giovanni Gerolamo Savoldo
The Entombment
Moretto da Brescia (Alessandro Bonvicino) · 1554
Carbine with Flintlock alla Fiorentina
Carlo Bottarelli · ca. 1660–70
Joseph's cup found in Benjamin's sack from the biblical story of Joseph (Genesis 44); a scene with soldiers, mules and various figures
Giovanni Antonio da Brescia · ca. 1520–25
The Flagellation of Christ who is tied to a column at center set within an arcade
Giovanni Antonio da Brescia · 1509
A Satyr Holding a Violin, from Twelve Ornamental Panels
Giovanni Antonio da Brescia · 1490–1515
A Nereid and Two Children Playing Musical Instruments, from Twelve Ornamental Panels
Giovanni Antonio da Brescia · 1490–1515
A Triton and Two Infant Satyrs, from Twelve Ornamental Panels
Giovanni Antonio da Brescia · 1490–1515
Candelabra grostesque with two children wearing helmets, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia · 1490–1515
Candelabra grotesque with four children with a cat and a dog, from a series of twelve candelabra grotesques
Giovanni Antonio da Brescia · 1490–1515
Head of an old man
Giovanni Antonio da Brescia · ca. 1490–1525
Ignorance and Mercury (an allegory of Virtue and Vice), Mercury kneeling at right holding a staff and taking the hand of a man who emerges from a pile of naked bodies, at left a tree with the torso and head of a woman (Daphne)
Giovanni Antonio da Brescia · ca. 1490–1525
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 328 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. HTTP 429 from api.si.edu. No records from this archive are shown for this query.Unavailable
These figures describe the pass run at 2026-08-28 12:55 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.