OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 24 shown for “Girolamo Mazzola Bedoli” — 56 records examined, 7 dropped by the rights gate.
Archives queried 2026-08-27 03:28 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.
The Annunciation
Girolamo Mazzola Bedoli
Portrait of Girolamo Colonna, Cardinal
Artist not stated in the record · ca. 1750
Head of Bearded Man (recto); Head of a Girl (verso)
Girolamo Mazzola Bedoli · 1503–40
Nude Man Seen from Behind (Narcissus?)
Francesco Mazzola, called Parmigianino, Italian, 1503 – 1540 · 1527–1530
A Putto Seated on a Frame
Girolamo Mazzola Bedoli · ca. 1538–40
Apollo and Marsyas
Artist not stated in the record · 1724
Standing Female Figure and Ornamental Framework
Girolamo Mazzola Bedoli · ca. 1547–53
Portrait of Pope Clement XI
Artist not stated in the record · ca. 1712
The Penitent Magdalen
Georges de La Tour · ca. 1640
Celsia orientalis L.
Artist not stated in the record
Holy Family with St. John the Baptist
Anne Claude Philippe de Tubières, comte de Caylus · 18th century
Ruta chalepensis L.
Artist not stated in the record
Wilton Album, folio 10a: Priapus and Lotis
Anonymous, Italian, 16th century · ca. 1530–50
Melilotus neapolitana Ten.
Artist not stated in the record
The Adoration of the Magi
Niccolò Vicentino · 1540–50; 1605 (date published by Andreani)
Design for a Wall
Lattanzio Gambara, Italian, 1530 – 1574 · mid- 16th century
Cupid Sleeping
Parmigianino (Girolamo Francesco Maria Mazzola) · 16th century
Virgin and Child
Girolamo Siciolante, Italian, ca. 1521 - 1575 · ca. 1521–75
Madonna and Child
Parmigianino (Girolamo Francesco Maria Mazzola) · 16th century
Landscape with Tree beside a Stream
Girolamo Mattioli, Italian · late 16th century
Entombment
Parmigianino (Girolamo Francesco Maria Mazzola) · ca. 1530
Portrait of Father Thomas Cervioni
Artist not stated in the record · ca. 1750
Entombment
Parmigianino (Girolamo Francesco Maria Mazzola) · early to mid-16th century
Portrait of Cardinal Francesco Martelli
Dominic Rossi · ca. 1750
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 286 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. 32 matched · 32 examined · 7 dropped by the rights gate. Kept only where metadata_usage.access === "CC0" and an image resource was published.12 shown
These figures describe the pass run at 2026-08-27 03:28 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.