OpenTwo archives, queried live.
Every record below comes from The Met or Smithsonian Open Access and was filtered on that archive’s own rights field before it reached this page. 12 shown for “Giulio Carpioni” — 24 records examined, 0 dropped by the rights gate.
Archives queried 2026-09-04 13:25 UTC · fetched live for this request
isPublicDomain field is true for this object.metadata_usage.access reads CC0 — a waiver, not an expired term.Smithsonian Open Access: HTTP 429 from api.si.edu. Results from the remaining archive are shown unchanged — nothing is substituted for a source that did not answer.
Figure Studies: Men Standing by a Large Vase, a Falling Nude Figure, and Other Figures
Giulio Carpioni · 1613–78
Plate 6: marine gods and other cavorting figures
Giulio Carpioni · ca. 1640–70
Plate 4: marine gods and other cavorting figures
Giulio Carpioni · ca. 1640–70
Air, represented by Iris reclining on her rainbow, accompanied by a winged putto bearing a torch and another winged putto riding an eagle, from "The Elements"
Giulio Carpioni · 1640–60
Air, represented by Iris reclining on her rainbow, accompanied by a winged putto bearing a torch and another winged putto riding an eagle, from "The Elements"
Giulio Carpioni · 1640–60
Bacchanalian Group with Children Drinking
Giulio Carpioni · 1613–78
(R.)Figure Studies: Standing Nude Figure, Putti, and a Man's Head (V.) Figure Studies: A Flying and a Standing Man
Giulio Carpioni · 1613–78
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"
Giulio Carpioni · 1640–60
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"
Giulio Carpioni · 1640–60
Fire, represented by Venus seated before Vulcan's forge, with armor, a cannon, and cannon balls surrounding her, she turns her head toward Cupid, who stretches his body away from her, from "The Elements"
Giulio Carpioni · 1640–60
Bacchanal with infant satyrs and putti at left, a naked male figure reclines in front of a pedestal carved in bas-relief, two clothed figures look toward the right
Giulio Carpioni · 1633–78
Penitent Magdalen kneeling on a rocky ground before a skull and bones, an ointment jar lies in the left foreground, rays of light and winged putti descend from above
Giulio Carpioni · ca. 1640–55
Where these records came from.
Two archives are wired, and only two. Each one is filtered on its own rights field — never on a title match, and never on the presence of an image file.
- The Met Collection API (Open Access)Rights field:
isPublicDomain. 28 matched · 24 examined · 0 dropped by the rights gate. Kept only where isPublicDomain === true and a file URL was published.12 shown - Smithsonian Open Access API (api.si.edu)Rights field:
content.descriptiveNonRepeating.metadata_usage.access. HTTP 429 from api.si.edu. No records from this archive are shown for this query.Unavailable
These figures describe the pass run at 2026-09-04 13:25 UTC, during this request. A completed pass is kept for 24 hours and replayed for an identical search, which is what keeps repeated queries inside Smithsonian’s 30-requests-per-hour allowance. A pass in which either archive failed to answer is never kept — an outage must not be replayed as though it were a finding about the catalogue.
Wikimedia Commons and the Library of Congress are deliberately not wired. Wikimedia was confirmed, on a live query, to return CC-BY material inside the same result set as genuine public domain works, and filtering it safely has not been designed yet. loc.gov was blocked by bot detection during the source evaluation, so its rights vocabulary has never been observed — and nothing here is built on a field nobody has read.
An image file is a rights claim. It never travels without its field.